British artist Claire Milner’s visual vocabulary draws widely from many areas including classical literature, politics, fashion, science and the natural world. Working in collections with art historical references, her paintings simultaneously explore the role of the artist as a witness to her own time in history. Her primary focus relates to the environment, our place within it and encroachment upon it. Contrasting commercial values with those of environmental ideals as determinants of worth, her paintings focus on the uneasy juxtaposition of abundance and loss. The effects of humanity are implicit within her works, even when the human figure is absent or takes a secondary precedence. Her process involves traditional painting techniques combined with rigorous mosaic methodologies rooted in the historical skills of an ancient art form. Her themes focus on topical issues such as climate change, socio-political power disparities and the position of female artists in the canon of art history. This symbiosis of the ancient and the contemporary gives rise to vibrant and uniquely individual crystal mosaics and mixed media paintings. The artist’s evolving collections of works have a surface optimism with a depth that simultaneously speaks to much darker issues.
After graduating with a B.A. in Graphic Design and Typography Claire Milner worked as an illustrator in London, where she was commissioned by many large corporations and publishing companies. She illustrated portraits of British Chancellors Gordon Brown and Nigel Lawson for major publications, leading to further portrait commissions of politicians, Central European Bankers and company CEOs such as Sir Terry Leahy, Sir Martin Sorrell and Lord Browne. The artist has taken extensive research trips to Africa, South America, Asia and Australia for commissioned and personal bodies of work which continue to inform her current collections. An African trip inspired the painting ‘Mother and Child’, a mixed media work which was exhibited in Cambridge and acquired by CamFed who subsequently commissioned five similar artworks for the organization which helps fight poverty in Africa by educating and empowering girls. After a visit to the Italian city of Ravenna, famous for its early Byzantine and Christian monuments decorated with stunning mosaics, Milner enrolled in a mosaic school with the eminent contemporary mosaicist Elaine M. Goodwin, founder of Tessellated Expression for the 21st Century (TE-21). This was to welcome a new departure for her work, whilst at the same time representing an organic evolution of her early paper collage illustrations.
Today, Claire Milner's artworks are held in private collections around the world. Her large scale crystal mosaic portrait of Marilyn in 65,000 Swarovski Elements commissioned for, and in the private collection of Rihanna has been widely featured by the global media including The Official Website of The Estate of Marilyn Monroe, Swarovski and most recently the January 2018 issue of Vogue Paris. This special edition was guest edited by Rihanna who featured the work in a profile of her favourite things. Milner's portrait of Amy Winehouse appeared in an exhibition curated by the Amy Winehouse Foundation to mark what would have been the late singer's 30th birthday. Her semi abstract artwork representing under sea volcanoes and life in the ocean depths entitled ‘Hydrothermal Vents’ is in the collection of BBC Broadcaster and Plymouth University Department of Earth Sciences Professor Iain Stewart. Milner's work has been displayed in institutional and museum exhibitions in the UK including: Ripon Cathedral, York Minster, Corinium Museum, Canal Museum, Pontefract Museum, Museum in the Park, as well as installations in Harrods and Whiteley's. Her paintings have been featured internationally in the media including The BBC, BLOUIN ARTINFO, Channel News Asia, Elle, Forbes, Huffington Post Arts, Save Virunga, The Telegraph, The Times, Vogue Paris and many others and described as "metaphors of our time" in examining the effects of humans on each other and on other species.
Passionate about the environment and the threats facing endangered species, Milner’s work has raised thousands of pounds for conservation. In 2015 'Burning Bright' created with 32,000 Swarovski crystals representing ten times the number of tigers left in the wild, was exhibited at Hotel Café Royal, auctioned at The Savoy Hotel, London, and sold to an art collector in Germany in aid of Save Wild Tigers, The Born Free Foundation and The Environmental Investigation Agency. In 2016 Milner's crystal mosaic portrait of an elephant-poaching victim was sold to a collector in New York in aid of the David Sheldrick Wildlife Trust in Nairobi. In November 2017 the artist's mixed media painting entitled 'The Unknown' commissioned by actress and animal activist Virginia McKenna was auctioned in aid of the Born Free Foundation and sold to actress and activist Joanna Lumley. In December 2017, Milner's painting entitled ‘Ocean Rainforest’ featuring coral reefs and sea turtles won the Oceanic Global x Alpha'a Artivism Challenge, following which it was exhibited during Art Basel Miami. The competition utilised the visual arts to raise awareness about six critical issues impacting our ocean. The judges included Susan Rockefeller, Dustin Yellin, Aaron Levi Garvey, Doumi Busturia, Alexandre Arrechea and Zaria Forman. Milner's painting entitled 'Symbiosis', a companion piece to 'Ocean Rainforest' went on to be a 2018 1ST ARTSLANT Prize Showcase Winner. The artist lives and works in North Yorkshire, England.
"Art doesn’t exist in a vacuum. Artists throughout history have chronicled the important issues of their time. The subjects I pursue are extremely personal to my identity and value systems as an environmentalist, yet they are also universal and reaching a critical tipping point for every individual regardless of ethnicity, gender, class or religion. Climate change, ocean pollution, environmental degradation, habitat loss and the current rapid rate of extinction are all issues that could have devastating implications and they represent some of the biggest challenges we face. Without urgent action on these momentous issues, we may not have the luxury to concern ourselves with others."