https://www.claire-milner.co.uk/crystalmosaics daily 0.75 2023-04-26 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630807257-8C5JR3LLJ4CS6Q7CKMID/soulless1.jpg True Value - 'SOULLESS: THIS IS NOT A LEOPARD' 5 000 Swarovski crystals & paint on board. 41 x 65 inches (104 cm x 165 cm) Featured in Musings, The Curator’s Salon, Entity, Channel NewsAsia, Yareah, Inspired Economist, The Press, Creative Boom, Fubiz, Ethical Hedonist, The Palette Pages & Widewalls. This depiction of an Amur Leopard is influenced by Dante’s Divine Comedy where the leopard (di quella fiera a la gaetta pelle) appears as an allegory for self-indulgence. This leopard symbolises the greed of man in the persecution of these creatures. Each sin’s punishment in Dante’s Inferno is a contrappeso and therefore this leopard is depicted with hollowed out eyes representative of starvation – esp of the soul. The spiral in the lower right hand corner represents the nine circles of hell. It also forms both the figure eight (the luckiest number in Chinese culture relating to prosperity, success and high social status) and the symbol of infinity when juxtaposed with the circle of text above. The text in both English and Latin is written in the shape of the number 30 which signifies the approximate numbers of these creatures left in the wild. The latin phrase “Morituri te salutant” is part of a famous quote meaning "Those who are about to die salute you". https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630807257-8C5JR3LLJ4CS6Q7CKMID/soulless1.jpg True Value - 'SOULLESS: THIS IS NOT A LEOPARD' 5 000 Swarovski crystals & paint on board. 41 x 65 inches (104 cm x 165 cm) Featured in Musings, The Curator’s Salon, Entity, Channel NewsAsia, Yareah, Inspired Economist, The Press, Creative Boom, Fubiz, Ethical Hedonist, The Palette Pages & Widewalls. This depiction of an Amur Leopard is influenced by Dante’s Divine Comedy where the leopard (di quella fiera a la gaetta pelle) appears as an allegory for self-indulgence. This leopard symbolises the greed of man in the persecution of these creatures. Each sin’s punishment in Dante’s Inferno is a contrappeso and therefore this leopard is depicted with hollowed out eyes representative of starvation – esp of the soul. The spiral in the lower right hand corner represents the nine circles of hell. It also forms both the figure eight (the luckiest number in Chinese culture relating to prosperity, success and high social status) and the symbol of infinity when juxtaposed with the circle of text above. The text in both English and Latin is written in the shape of the number 30 which signifies the approximate numbers of these creatures left in the wild. The latin phrase “Morituri te salutant” is part of a famous quote meaning "Those who are about to die salute you". https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452421523312-HPYBPSKAADPBVRAGLKJ5/image-asset.jpeg True Value - 'BURNING BRIGHT' DETAIL. PRIVATE COLLECTION, GERMANY 32 000 Swarovski crystals & paint on board. 42.5 x 66.5 inches (108cm x 169cm) Exhibited at Hotel Cafe Royal and The Savoy Hotel, London and auctioned in aid of Save Wild Tigers. Featured in The Times, Channel NewsAsia, Yareah, Inspired Economist, Creative Boom, FAD Magazine, Fubiz, Ethical Hedonist & The Palette Pages "Burning Bright" is influenced by the jungle paintings of Rousseau and "The Tyger" by William Blake. The preciousness of the living animal is represented as a mosaic created with 32 000 Swarovski crystals, which represents ten times the number of tigers left in the wild. This symbolically fades out; only the head of the tiger is visible; an inherent confrontation as to whether the parts are more valuable than the whole. It is partially protected by a palm frond - an ancient symbol of virtue and victory - and is here symbolic of organizations working to protect this most iconic of species. The artwork includes a call to arms which rhymes with the first line of Blake's poem, and a snare - the preferred method of poaching. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630845597-1LEEBWIQ24EENSLEO8C3/burning_bright.jpg True Value - 'BURNING BRIGHT' (PRIVATE COLLECTION, GERMANY). 32 000 Swarovski crystals & paint on board. 42.5 x 66.5 inches (108cm x 169cm) Exhibited at Hotel Cafe Royal and The Savoy Hotel, London and auctioned in aid of Save Wild Tigers. Featured in The Times, Channel NewsAsia, Yareah, Inspired Economist, Creative Boom, FAD Magazine, Fubiz, Ethical Hedonist, Yorkshire Living and The Palette Pages. "Burning Bright" is influenced by the jungle paintings of Rousseau and "The Tyger" by William Blake. The preciousness of the living animal is represented as a mosaic created with 32 000 Swarovski crystals, which represents ten times the number of tigers left in the wild. This symbolically fades out; only the head of the tiger is visible; an inherent confrontation as to whether the parts are more valuable than the whole. It is partially protected by a palm frond - an ancient symbol of virtue and victory - and is here symbolic of organizations working to protect this most iconic of species. The artwork includes a call to arms which rhymes with the first line of Blake's poem, and a snare - the preferred method of poaching. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630886578-QCXZX9NILTG8PEIGA9VQ/the_wicked_prize1.jpg True Value - 'THE WICKED PRIZE' 17 000 Swarovski crystals & paint on board. 42.5 x 66.5 inches (108cm x 169cm) Featured in The Press, Creative Boom, Fubiz, Ethical Hedonist, Trendhunter & The Palette Pages Created in response to the worst case of elephant poaching in Zimbabwe, where 41 elephants were poisoned in Hwange National Park in 2013. The speculation of complicity from the state led to the introduction of the following quote from Claudius in Hamlet, Act lll, Scene lll: “In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law”. The elephant's head is created from crystals, the largest being on the tusks. These fade out to a semi-abstract body, of no consequence to poachers. At first glance the bullet's trajectory towards the head of the elephant is definitive; on closer observation, the partially silver bullet is a metaphor for an effective solution to the poaching problem, but it is stopped in mid-air by a question mark. In the outline of a baobab tree - the tree of life and symbol of positivity - the quote from Shakespeare's Hamlet is suggestive of corruption and collusion on a grand scale. Similarly, the hands represent the eternal struggle between good and evil. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630922050-FTEZCTTLXJ3RNOFCX3VL/medicine_myth1.jpg True Value - 'THE MEDICINE MYTH' 3 000 Swarovski crystals & paint on canvas. 41.5 X 29.5 inches (105 cm X 75 cm) Featured in Channel NewsAsia, Yareah, Inspired Economist, The Press, The Palette Pages & The Darlington & Stockton Times An allegory of Lust. This artwork symbolizes the precariousness of man's existence related to the abuse of the natural world and species extinction as a direct result of the trade in products of death - ironically for the purposes of virility. The rhinoceros is created as a precious crystal mosaic fading into abstraction. "The medicine myth.." represents the trajectory of the tools of destruction and the colours are symbolic of danger and death. The artwork includes references to quotes from Hamlet and Lady Macbeth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630953639-4320NCVFKZ8BGXALH85Z/the_dark_side3.jpg True Value - 'THE DARK SIDE' 9 000 Swarovski crystals & paint on board. 42.5 x 66.5 inches (108cm x 169cm). Featured in The Times, Channel NewsAsia, Musings, Entity, Yareah, Inspired Economist, The Palette Pages & most appreciated projects on Behance - Climate Change This allegorical painting is a reminder to be conscious of the world outside of one's immediate environment in these times of narrowing political ideologies. A Giant Panda, the most powerful symbol of species conservation in the world, sits in a small section of bamboo forest as destruction imposed on precious habitats by threats such as logging and climate change occurs all around. The Chinese proverb “Each generation will reap what the former generation has sown” is translated into the dead language of latin to illustrate the warning that mankind doing nothing to save the environment is at his own peril. The painting is separated by a cross into distinct areas of dark and light and contains the following quote by Edward O Wilson "The one process now going on that will take millions of years to correct is the loss of genetic and species diversity by the destruction of natural habitats. This is the folly our descendants are least likely to forgive us.” https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605630989495-D7CQ9437CYUZO24FLYJG/silent_consent2.jpg True Value - 'WHO IS SILENT, GIVES CONSENT' 9 000 Swarovski crystals & paint on board. 42.5 x 66.5 inches (108cm x 169cm) Featured in Entity, Musings, Oceanic Global, Investable Oceans, Channel NewsAsia, Yareah, Inspired Economist, The Palette Pages, most appreciated projects on Behance - Climate Change, Creative Boom, Fubiz, Ethical Hedonist, Trendhunter & The Darlington & Stockton Times This artwork is an allegory for sloth. Mankind's solutions become planet earth's catastrophes. Instead of a typical white polar backdrop, the polar bear, symbolizing the earth is melting in a sea of oil and stands on a shrinking iceberg representative of the Arctic, as a commentary on the hand of man in issues such as climate change. The quote in the dead language of latin is a warning that to do nothing is an oxymoron. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631032771-158EKITRZLF01IV0WUWZ/darkness_visible1.jpg True Value - 'DARKNESS VISIBLE' 7 000 Swarovski crystals & paint on board. 42.5 x 66.5 inches (108cm x 169cm) Featured on SAVE VIRUNGA, Musings, Entity, Channel NewsAsia, Yareah, Inspired Economist, The Palette Pages, Creative Boom, Fubiz, Ethical Hedonist, & The Press Inspired by events in Virunga National Park, this artwork references the threats currently facing one of mankind’s closest cousins who share 98.3% of our genetic code. The gorilla represents keystone species, the decimation of which is symbolic of an intertwined destiny that could ultimately affect the future of humanity. The fire is inspired by Milton’s Paradise Lost: “on all sides round, As one great Furnace flam'd, yet from those flames, No light, but rather darkness visible”. It represents acts of greed in those who wish to plunder this precious World Heritage Site and its important biodiversity. At the same time, the fire represents renewal and symbolises the power and beauty of the natural environment in the eruption of the Nyamulagira Volcano. The latin graffiti gives the message “Ubi major, minor cessat” meaning that the less powerful capitulate to the strong or more powerful, yet this painting is a tribute to the rangers who overcome adversity and put their lives on the line to protect the precious wildlife of Virunga National Park. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1492267038659-JDUKHH9GRDPZXO2EHU4C/lion_black.jpg True Value - THE HIDDEN AND THE REVEALED Crystal mosaic lion and lioness. 5000 Swarovski crystals on perspex. 25cm x 25cm. 2018 Featured in Musings, Entity, Yorkshire Living and The Curator’s Salon. Allegorical artwork inspired by the quote from Suzy Kassem: “Truth does not sit in a cave and hide like a lie. It wanders around proudly and roars loudly like a lion.” As with the Marilyn portrait for Rihanna, this work incorporates a hidden portrait. A low profile lioness emerges quietly from the ostentatious image of the lion. The work references the ease and pitfalls of taking information at face value. In an age flooded with images and fake news, the need to look closely and fact check is even more prescient than ever. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1536247112391-JFN426PP9T7FXCW2EQ2T/simotua1.jpg True Value - 'DELICATE AND MIGHTY' (PRIVATE COLLECTION, NEW YORK). In loving memory of Simotua a brave orphan elephant who lost his fight against horrific injuries sustained by poachers who also slaughtered his family. (Approximately 55 African elephants are killed by poachers every day). The spear wound on his head was healing well, but he finally succumbed to the snare wound on his right leg which worsened after months of treatment. This work was donated to The David Sheldrick Wildlife Trust in Kenya, in Simotua's honour to help the other orphans in their care. It was purchased by a collector in New York. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452012954866-TGX0EL2VNEOFW4KVP2VD/turtle.jpg True Value - 'COLLATERAL DAMAGE' 25 000 rhinestones & Swarovski crystals on canvas board. 24 x 30 inches (61 x 77cm) Featured in Oceanic Global and Investable Oceans. Marine turtle as bycatch. Part of an ongoing series examining the effects of humans on other species and questioning the ultimate consequences of this escalating crisis. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631076765-SOG37N2KVZWBRF2B372T/everything.jpg True Value - 'EVERYTHING IS CONNECTED' 30 000 rhinestones on canvas board. 36 x 26.5 inches (92 x 67cm) "Everything is Connected" integrates insect, animal and human. The androgynous portrait is neither black nor white, but in colours representing the four classical elements. The portrait is in a similar pose to Vermeer’s “Girl with a Pearl Earing” and connected to the lioness. The bee, included for its importance in sustaining life on earth is represented in the style of the bees of baroque sculptor and architect, Bernini. “ When one tugs at a single thing in nature, he finds it attached to the rest of the world”. John Muir https://www.claire-milner.co.uk/portraits daily 0.75 2025-12-24 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452182362306-UEAGPK0EYXR8MEFYCQLX/image-asset.jpeg Reflecting the Image - 'DIANA, PRINCESS OF WALES' 10 000 hole punch dots. 23.6 x 23.6 inches (60 x 60cm) Exhibited in Ripon Cathedral 2012 This portrait study is made up of thousands of individually hand placed paper dots in nine specified colours. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452182362306-UEAGPK0EYXR8MEFYCQLX/image-asset.jpeg Reflecting the Image - 'DIANA, PRINCESS OF WALES' 10 000 hole punch dots. 23.6 x 23.6 inches (60 x 60cm) Exhibited in Ripon Cathedral 2012 This portrait study is made up of thousands of individually hand placed paper dots in nine specified colours. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1650025311319-T2RE7SRGFPZ2BCRCLZNP/queen.jpg Reflecting the Image - 'PLATINUM QUEEN' 15 000 crystals on perspex. 27 x 27 inches (69 x 69cm) Exhibited in Ripon Cathedral Featured in 'Pop Art' collection and ‘The face of portraiture’ collection Saatchi Art Publications include: OK! China, Swarovski Elements Magazine, Beyond Magazine, Global Living Magazine and The Sun "The crystal alchemy used in the image of Queen Elizabeth means that the colors of the Union Jack are visible from a certain angle, and the Diamond Jubilee from another." Swarovski Elements Magazine 2013 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452182390411-FT4WMKTZ9O5QGQRIXUSU/obama1.jpg Reflecting the Image - 'SPARKLING HOPE' (PRIVATE COLLECTION, U.K.) 12 000 crystals on perspex. 15.7 x 15.7 inches (40 x 40cm) Featured in Quintessentially, BBC Brasil, Telegraph & Elle Spain https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452083318537-6XYNL8ZCQGCEG03RCIHY/beckham3.jpg Reflecting the Image - 'REFLECTING THE IMAGE' 28 000 crystals on box canvas with aluminium backing. 30 x 30 inches (77 x 77cm) Featured in OK! China, The Sun, London Fashion Week, Forbes, Global Living Magazine, Beyond Magazine and exhibited in Ripon Cathedral. “David Beckham... portrayed by the talented hands of Claire A. Milner... at her best with Swarovski crystals and her trademark attention to detail.” Bils and Rye Contemporary Art Gallery https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452082374013-Z20DJD8BWVDR19IISXRP/elvis.jpg Reflecting the Image - 'IN THE BUILDING' 30,000 hole punch dots on perspex. 43.25 x 43.25 inches (110 x 110cm) Featured in Saatchi Art 'Black and White' collection. This portrait study is inspired by and incorporates the Chet Atkins quote 'He was white, but he sang black..' “The effect is amazing and mesmeric!” Bils and Rye Contemporary Art Gallery https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452103305686-0VEEUSLBABR9BJUHCRHF/obama.jpg Reflecting the Image - 'HOPE' 2009 (PRIVATE COLLECTION, U.S.A.) 10 000 hole punch dots on canvas board. 60 x 60cm "When special interests put their thumb on the scale, and distort the free market, the people who compete by the rules come in last." Barack Obama https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1521805549187-AJQGHI93I944X9QFT17P/audrey1.jpg Reflecting the Image - 'ETHEREAL' 4 000 crystals on perspex. 16 x 16 inches (41 x 41cm) “The likeness to Audrey Hepburn is fantastic. Effectively a pointillism creation, Claire has captured the era, the beauty and fragility of one of the most recognizable faces of any time.” Bils and Rye Contemporary Art Gallery https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452082184783-O90MIESQN2IM1HMDP5RQ/marilyn_small.jpg Reflecting the Image - 'BLUE MARILYN' (PRIVATE COLLECTION, U.K.) 2500 Swarovski crystals on perspex. 7.8 x 7.8 inches (20 x 20cm) Exhibited at Platform, London Fashion Week 2009 Publications include: GRAND'OR, BBC Brasil, Telegraph, Elle Spain & K Note: A High Life Guide This portrait was commissioned to be created in lines of crystals and formed the idea behind the large scale 5ft x 5ft Marilyn for Rihanna which was then developed in a more painterly technique. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452182423383-JDP064007C9O04FH4RVA/johnny.jpg Reflecting the Image - 'CHRYSTAL ALCHEMY' (PRIVATE COLLECTION, U.S.A.) 4 000 crystals on perspex. 9.8 x 9.8 inches (25 x 25cm) Featured in Saatchi Online 'Pulling Faces, Contemporary Portraits,' collection curated by Rebecca Wilson, Director of Saatchi Gallery London "...the viewer can discern Depp’s expression lurking behind his shades, thanks to her combinations of opaque and reflective crystals." Swarovski Elements Magazine https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1521805059683-3PEMXPDRDJ0D09QS3CI9/medusa_crystal1.jpg Reflecting the Image - MEDUSA 3000 Swarovski crystals on perspex. 25cm x 25cm. 2017 Miniature crystal mosaic depicting Medusa, after the neoclassical sculptor Harriet Hosmer. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1455286685650-PB2NR5Z7DDYWB38YOJ9Z/grace.jpg Reflecting the Image - 'IMMORTAL' 4 000 crystals on perspex. 16 x 16 inches (41 x 41cm) https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1521805059459-A1DXHMPYPJZD7NFQ26P2/hera_black.jpg Reflecting the Image - HERA/JUNO: GODDESS OF WOMEN 4000 Swarovski crystals on perspex. 25cm x 25cm. 2017 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631372181-OSB93B595PDX3IZZLRE7/Oli.jpg Reflecting the Image - 'A FINE MESS' https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631405088-CFXDWHMQ36EWRNXL1ZGJ/stan.jpg Reflecting the Image - 'ANOTHER FINE MESS' https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631445126-3YHXZGT0CZ3SKZWKUXJ6/charlie.jpg Reflecting the Image - 'THE TRAMP' https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631574624-QCRRZUU90MYXQ3HJWA5F/skull.jpg Reflecting the Image - 'TURN AND FACE EXTINCTION' Vitreous glass, gold & ceramic mosaic. 15 x 36 inches (38 x 92cm) Exhibited at John Mackie Gallery, Banksy Exhibition 2009 A study of the anatomy and muscular structure of the human face and head; the piece is also an allegorical commentary on how the human race is unwilling to face the consequences of its' effects on the rest of life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631494556-ZY4R8XHOCDZV0PW2ELVX/muscles.jpg Reflecting the Image - 'TURN AND FACE EXTINCTION' Vitreous glass, gold & ceramic mosaic. 15 x 36 inches (38 x 92cm) Exhibited at John Mackie Gallery, Banksy Exhibition 2009 A study of the anatomy and muscular structure of the human face and head; the piece is also an allegorical commentary on how the human race is unwilling to face the consequences of its' effects on the rest of life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605631524467-4Y6TVC3ZVHXVCP5TUDUI/pope.jpg Reflecting the Image - 'THE' (PRIVATE COLLECTION, ROME) https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452082087571-HZ9TD0X96ZSXD988IO5J/marilyn_for_rihanna.jpg Reflecting the Image - 'BLUE MARILYN' COLLECTION OF RIHANNA 65 000 Swarovski crystals on perspex. 60 x 60 inches (153 x 153 cm) Widely featured globally https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1491555882894-YPCU3QOO21K30ZEV8KWK/hera_sparkles.jpg Reflecting the Image - HERA: GODDESS OF WOMEN (After the Barberini Hera) 18000 Swarovski crystals on perspex. 25cm x 25cm. 2017 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452081979070-PBBQQ8FOYPIMX4738FBK/image-asset.jpeg Reflecting the Image - 'BLUE MARILYN' At the London preview prior to the portrait being shipped to L.A. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1491557393311-ERKYPC75X47XN2HRSFXD/hera_sparkles.jpg Reflecting the Image - HERA: GODDESS OF WOMEN (After the Barberini Hera) 4000 Swarovski crystals on perspex. 25cm x 25cm. 2017 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1491555860711-YYTSQ0XVJ1B1D428UT34/hera_grey.jpg Reflecting the Image https://www.claire-milner.co.uk/monochromepaintings daily 0.75 2023-04-26 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565775304912-GU2UHF9UINTRWT8ZC5YN/clara2.jpg Holocene Twilight - 'CONTEMPLATING CLARA: EXHIBITION OF A RHINOCEROS AT VENICE' (After Longhi). Acrylic & oil paint on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 Featured in Art Upon. Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' records a historical event, the exhibition in Europe for the carnival of 1751 of a rhinoceros called Clara who had been brought to Europe ten years previously. This reimagined version forms part of a new collection of incongruous images of animals out of place as an allegorical reference to the damaging effects of humans on other species through commodification, poaching, habitat loss and climate change. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565775304912-GU2UHF9UINTRWT8ZC5YN/clara2.jpg Holocene Twilight - 'CONTEMPLATING CLARA: EXHIBITION OF A RHINOCEROS AT VENICE' (After Longhi). Acrylic & oil paint on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 Featured in Art Upon. Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' records a historical event, the exhibition in Europe for the carnival of 1751 of a rhinoceros called Clara who had been brought to Europe ten years previously. This reimagined version forms part of a new collection of incongruous images of animals out of place as an allegorical reference to the damaging effects of humans on other species through commodification, poaching, habitat loss and climate change. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565775379282-2RKMG38NHZMFSZJCPMV1/cecil2.jpg Holocene Twilight - 'EXHIBITION OF A LION AT VENICE' (After Longhi). Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 Featured in Art Upon and Ethical Hedonist. Using Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' as a starting point, this painting is part of a collection of monochromatic oil paintings which represent fading memories of things lost forever. Endangered species within urban settings serve as allegorical references for human as well as animal displacement. The Lion of Saint Mark, representing the evangelist St Mark, pictured in the form of a winged lion holding a Bible, and the symbol of the city of Venice, has turned on its axis to face away from the city in the same direction as the displaced lion viewed by stupefied onlookers. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565775534507-MB043KLQGPXZ1WUI2J9H/minerva3.jpg Holocene Twilight - 'THE UNDENIABLE TRUTH' Oil on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 Featured in Art Upon. Using Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' as a starting point, this collection of incongruous images of animals displaced to urban environments alludes to the damaging effects of humans on other species through commodification, poaching, habitat loss and climate change. The monochromatic images reference memories of things past. Another endangered species, this time an elephant, is displaced to Piazza Minerva (The Roman symbol of wisdom), where the passers by take no account of its presence. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565775890440-CGQ9BXG9PW4472PFVM5Z/rhino2.jpg Holocene Twilight - 'WIPE OUT AND FADE AWAY: AND THEN THERE WERE NONE..' Oil paint on box canvas. 23.5 x 35.5 inches (60cm x 90cm) Featured in Ethical Hedonist and Widewalls. This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565776002947-1UJGEKOCREADAXIBBEJE/Amur_Leopard2.jpg Holocene Twilight - 'WIPE OUT AND FADE AWAY: SPOTLIGHT ON EXTINCTION' (PRIVATE COLLECTION, GERMANY). Oil paint on box canvas. 23.5 x 35.5 inches (60cm x 90cm) Featured in Ethical Hedonist Magazine This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565776124428-R8JV46IXTNWO204YTCNN/tigers1.jpg Holocene Twilight - 'WIPE OUT AND FADE AWAY: UPROAR!' Oil paint on box canvas. 20 x 30 inches (51cm x 76cm) This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565775745070-1DGKXBTHYXI6T29PIU54/polar_bear1.jpg Holocene Twilight - 'WIPE OUT AND FADE AWAY: MELTING FROM APATHY' Oil paint on box canvas. 35.5 x 35.5 inches (90cm x 90cm) Featured in Oceanic Global and Investable Oceans. This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action against climate change and for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1628259649984-SXF32SI5WJF0KK0HT7YA/jeopardy.jpg Holocene Twilight - 'JEOPARDY' (After Tamara De Lempicka) Acrylic & oil paint on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 Featured in WideWalls. Allegorical painting about mans dominance as a top predator and the destruction of the natural world. A cautionary tale that mankind will be the net loser as ecosystems break down due to climate change, habitat loss and extinction resulting in predator becoming prey. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565776493480-D37RF9UQ2BDUO3O1GY07/unknown2.jpg Holocene Twilight - 'THE UNKNOWN' (COMMISSIONED BY VIRGINIA MCKENNA. COLLECTION OF JOANNA LUMLEY). Swarovski crystals, rhinestones, acrylic & oil paint on box canvas. 51 x 51 inches (130cm x 130cm) 2015 Private Collection. U.K. Exhibited at The Royal Horticultural Halls, London. Featured in Ethical Hedonist, Yorkshire Living and The Flux Review. “The Unknown” is an allegorical painting about power disparities. It focuses on the “Little Five”: Leopard Tortoise, Elephant Shrew, Rhino Beetle, Buffalo Weaver and Ant Lion, as opposed to the usual “Big Five” who, this time, are hidden in the Rousseau inspired background. https://www.claire-milner.co.uk/press-2 daily 0.75 2017-10-04 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1507129360149-U6CWUR2MGDNIFDOLFN6A/eh_logo_2017.jpg Press https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1507129360149-U6CWUR2MGDNIFDOLFN6A/eh_logo_2017.jpg Press https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452100679670-TEGV6D5FFHXFFH8NZLI9/EH.jpg Press http://www.ethical-hedonist.com/claire-milner_14053.html https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452100673476-VO61CP1NQ0CLIQCJY682/BBC_Brasil.jpg Press https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452100673574-5216OEDNAEUJX5UMHL8N/BBCBrasil.jpg Press 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https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452100710249-CH98MYMU0VIBMYTXK3VS/Trendhunter.jpg Press https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452100710414-6I6AP7IHG73U907UC8NA/Yareah_Magazine.jpg Press https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452100711255-HXB86UJJZXJM4T5FBRYA/Yorkshire_Post.jpg Press https://www.claire-milner.co.uk/installations daily 0.75 2019-01-20 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310151458-TEDYX21C4HM3UPW7OWID/bornfree_auctioneer.jpg EVENTS - AUCTION IN AID OF BORN FREE https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310151458-TEDYX21C4HM3UPW7OWID/bornfree_auctioneer.jpg EVENTS - AUCTION IN AID OF BORN FREE https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310177039-1E0V61VTKQEKMV1UFSH0/joanna_picture.jpg EVENTS - JOANNA LUMLEY BUYS THE PAINTING! https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310177171-QAV94UCCHN173AEX7Z0V/joanna_virginia.jpg EVENTS - WITH JOANNA LUMLEY AND VIRGINIA MCKENNA https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1515511913473-IEIVRPMQBG815QIKFF0S/joanna.jpg EVENTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512322626400-ULEAT46EFINWB8Y1LNRH/will_virginia.jpg EVENTS - WITH VIRGINIA MCKENNA & WILL TRAVERS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310151574-29UYQC3DUBBPXZE8A1DT/born_free_virginia.jpg EVENTS - A HEARTFELT MESSAGE FROM VIRGINIA https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310153220-VE86LCNALPY6HSGT6G8S/bornfree_dinner.jpg EVENTS - THE ROYAL HORTICULTURAL HALLS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452185478735-MIPEH09DJKU0HH96RK4P/tiger_auctioneer1.jpg EVENTS - AUCTION OF 'BURNING BRIGHT' BBC auctioneer James Lewis with 'Burning Bright' which was sold to a Paddle 8 collector in Germany at the Save Wild Tigers gala ball at The Savoy Hotel, London. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452182287868-UR6QYJV4EULT3ERN71BI/cafe_royal1.jpg EVENTS - 'BURNING BRIGHT' HOTEL CAFE ROYAL, LONDON Exhibited at Hotel Cafe Royal as part of the 'Be Inspired' group show, curated by Christian Furr in aid of Save Wild Tigers 2015. Photo Getty Images https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452185478615-H0PJU84NLRELCATBNG5M/tiger_auctioneer.jpg EVENTS - SAVE WILD TIGERS GALA BALL BBC auctioneer James Lewis with 'Burning Bright' prior to the auction in The River Room at The Savoy Hotel, London https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452185155265-5XEISK4C774AWVQHAIYE/savoy.jpg EVENTS - THE SAVOY HOTEL The Savoy Hotel, London. The venue for Save Wild Tigers gala ball and art auction October 2015 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1501154579726-ESXHLHL55G8O5STBVWPX/lion_ape.jpg EVENTS - THE HIDDEN AND THE REVEALED Installation https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452185298230-GCBPA92NQK4LOROSVFQ6/tiger1.jpg EVENTS - SAVE WILD TIGERS GALA BALL The River Room at The Savoy Hotel, London https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452182215398-RIF1D3XPZ6U4Q1380U34/image-asset.jpeg EVENTS - 'BURNING BRIGHT' HOTEL CAFE ROYAL, LONDON Exhibited at Hotel Cafe Royal as part of the 'Be Inspired' group show, curated by Christian Furr in aid of Save Wild Tigers 2015. Photo Getty Images     https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452677582070-ZUYRVTR78YCY025YUJGX/image-asset.jpeg EVENTS - 'BURNING BRIGHT' ON PADDLE8 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452622266173-SPW8N916XDD542OQ45BV/image-asset.jpeg EVENTS - CAFE ROYAL HOTEL The venue for Save Wild Tigers art exhibition. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1501081314839-N3C0YQX6EGYPWCSRS1LT/true_value.jpg EVENTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452621499177-T1TUAM7D40GS7XPEABFE/image-asset.jpeg EVENTS - 'BURNING BRIGHT' LIVE AUCTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452864235661-WI4JJF9BML68XV856AAM/image-asset.jpeg EVENTS - 'THE DARK SIDE' In the studio https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452185303920-D5RRGSHUHCBTN9UTR8WP/tiger7.jpg EVENTS - SAVE WILD TIGERS GALA BALL The River Room at The Savoy Hotel, London https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1453121421138-4LWTMMQ35OY34U05FBBS/lancaster_ballroom.jpg EVENTS - SAVE WILD TIGERS GALA BALL The Lancaster Ballroom, The Savoy Hotel, London https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1493475366690-DMVS2WZQKJ1PT1L4ICFK/lion_working.jpg EVENTS - 'ROAR' Studio shot. Work in progress. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1453120983696-N10ZVUJ8X95DDF39HI7X/invite.jpg EVENTS - SAVE WILD TIGERS GALA BALL Invitation https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1453120983866-ICG69HUUYW4OPQTPUF1Z/river_room.jpg EVENTS - SAVE WILD TIGERS GALA BALL The River Room at The Savoy Hotel, London prior to the auction. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1453120997313-XB2KFEEV2L3XK9VGGB8A/river_room1.jpg EVENTS - SAVE WILD TIGERS GALA BALL The River Room at The Savoy Hotel, London prior to the auction. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1453121421287-FI2HGLQBEJFKZNJ8SK68/lancaster_ballroom1.jpg EVENTS - SAVE WILD TIGERS GALA BALL The Lancaster Ballroom, The Savoy Hotel, London https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1458753821088-I5UUZSNBJSME3WLXU1RT/claraminerva1.jpg EVENTS - 'CONTEMPLATING CLARA' AND 'AN UNDENIABLE TRUTH' Installation https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1525338036950-7VW2C4LEP5TVWNKEWBCP/marilyn_preview1.jpg EVENTS - 'BLUE MARILYN' LONDON PREVIEW A very select preview before the portrait was transported to the U.S. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1515511979250-XAIELXABIDYQVSHDDGQZ/Rihanna_Marilyn.jpg EVENTS - RIHANNA & MARILYN Rihanna in Adam Selman dress after winning the CFDA fashion icon award in 2014. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1525339416413-NU2OSGFZEOECA5Q0QRVU/rihanna_marilyn1.jpg EVENTS - RIHANNA & MARILYN Rihanna in beautiful Zac Posen dress. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1452246281841-B7Y67ORFDKIAFDG8223G/marilyn_preview2.jpg EVENTS - 'BLUE MARILYN' London preview https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1525338037043-LETQDNMT1QST3BOOG3YS/Marilyn_me1.jpg EVENTS - 'BLUE MARILYN' https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1525338039989-ZL7PXRMBTURTFUIQXI6T/marilyn_preview3.jpg EVENTS - 'BLUE MARILYN' London preview https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1512310151458-TEDYX21C4HM3UPW7OWID/bornfree_auctioneer.jpg EVENTS - Copy of AUCTION IN AID OF BORN FREE https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1493472799054-GV7WLK2HC2HVV0I8N9TE/me%26lion.jpg EVENTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1462111666453-99EBGFZDXM4ERDZSO320/installation_3grisaille.jpg EVENTS - 'HOLOCENE TWILIGHT: AN ALLEGORY OF DISPLACEMENT' Installation https://www.claire-milner.co.uk/paintings daily 0.75 2020-08-18 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1566381119989-Y428JL4P0IJB0P2CHLNS/fire2.jpg Allegories of Identity - 'CAUSE AND EFFECT' Oil on canvas. 60cm x 85cm 2019 Allegorical painting focusing on climate change and the interconnectedness of all life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1566381119989-Y428JL4P0IJB0P2CHLNS/fire2.jpg Allegories of Identity - 'CAUSE AND EFFECT' Oil on canvas. 60cm x 85cm 2019 Allegorical painting focusing on climate change and the interconnectedness of all life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1566381123063-78VTD5GIR7TSO8QR1WLK/habitat_loss3.jpg Allegories of Identity - 'WHERE DO WE COME FROM? WHAT ARE WE? WHERE ARE WE GOING?' Oil on canvas. 60cm x 85cm 2019 Influenced by the paintings of Gaugin and Rousseau. Recurring motifs include the peacock as an allegory of vanity and camera phone, posed for a ‘selfie’ but warning of the effects of human activities. The palette of earth colours contrasts with grisaille panels depicting crises for the planet. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1566381123300-DQFKRQYBXGXHD7K9R3KB/monkey3.jpg Allegories of Identity - 'BEFORE THE FALL' Acrylic on canvas. 60cm x 85cm 2019 Allegorical painting focusing on climate change and the interconnectedness of all life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1566381119880-92GO12E2ZAODHYK2GD5X/asian_ele5.jpg Allegories of Identity - 'IGNARUS VANITAS' Oil on canvas. 20 x 20 inches (50cm x 50cm) 2019 Allegorical painting relating to the cause and effect of all actions. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565774669496-JEY5DG4RQ26HIGCORNNV/mnemosyne4.jpg Allegories of Identity - 'MNEMOSYNE: THE LAMP OF MEMORY' (After Dante Gabriel Rossetti). Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 The painting features Mnemosyne with the lamp of memory juxtaposed with fading images of elephants and includes allegorical references to politics and the environment. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565778026744-B82P89R9HEZ5P7MM2K39/artemis7.jpg Allegories of Identity - 'ARTEMIS, LANDSCAPE OF A MIND: PREDATORY MANOEUVRES' (After Leochares and Modigliani). Oil on canvas. 35.5 X 35.5 inches (90 X 90 cm). 2016 The painting features Artemis 'Goddess of the Hunt' and includes allegorical references about the distinction between predator and prey, feminism, politics and the environment. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565774219413-68M392QGULCA758ACM72/andromeda3.jpg Allegories of Identity - 'THE PHYSICAL IMPOSSIBILITY OF CAPTIVITY IN THE MIND OF SOMEONE FREE' (After Tamara De Lempicka, Domenico Guidi and Damien Hirst) . Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 The painting features Andromeda 'Ruler of Men' juxtaposed with the electrical symbol of resistance and includes allegorical references to female empowerment, politics and the environment.   https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1523456065047-HHX0HPLGQVOBPW2D0WWE/self.jpg Allegories of Identity - 'SELF PORTRAIT: AN ALLEGORY OF IDENTITY' DYPTICH Mixed Media on canvas board. (60 x 45 cm). 2018 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1566383375939-HMNN6YBL23A08SDYAK7A/self3.jpg Allegories of Identity - 'SELF PORTRAIT: AN ALLEGORY OF IDENTITY' DYPTICH Mixed Media on canvas board. (60 x 45 cm). 2018 https://www.claire-milner.co.uk/oil-painting daily 0.75 2023-04-26 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565773340467-66GXEN1OLHUPD0G9J5D4/flamingo9.jpg ANTHROPOCENE XTINCTION - 'SYMBIOSIS' Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Selected for two curated collections on Saatchi Art by chief curator Rebecca Wilson. 2018 1ST ARTSLANT Prize Showcase Winner. Featured in Musings, Entity, Ethical Hedonist, Oceanic Global and Investible Oceans. The work focuses on several species of flamingo, the most threatened being the Andean Flamingo, which is represented in black and white. Of equal importance and under threat are the mangrove forests. These critical and complex ecosystems are among the most productive and biologically complex on earth. Their loss could prove catastrophic in terms of climate change due to their importance as carbon storage assets. The ghostly female figure is an allegorical reminder that our future is inherently bound up with our treatment of the earth’s natural resources. Mangroves and coral reefs have a symbiotic relationship – the reef protects the coast where the mangroves grow from being eroded by the sea, and the mangrove forest traps sediment washed from the land that would otherwise smother the reef. In the same way, this painting has a symbiotic relationship with 'Ocean Rainforest' depicting sea turtles amongst a coral reef. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565773340467-66GXEN1OLHUPD0G9J5D4/flamingo9.jpg ANTHROPOCENE XTINCTION - 'SYMBIOSIS' Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Selected for two curated collections on Saatchi Art by chief curator Rebecca Wilson. 2018 1ST ARTSLANT Prize Showcase Winner. Featured in Musings, Entity, Ethical Hedonist, Oceanic Global and Investible Oceans. The work focuses on several species of flamingo, the most threatened being the Andean Flamingo, which is represented in black and white. Of equal importance and under threat are the mangrove forests. These critical and complex ecosystems are among the most productive and biologically complex on earth. Their loss could prove catastrophic in terms of climate change due to their importance as carbon storage assets. The ghostly female figure is an allegorical reminder that our future is inherently bound up with our treatment of the earth’s natural resources. Mangroves and coral reefs have a symbiotic relationship – the reef protects the coast where the mangroves grow from being eroded by the sea, and the mangrove forest traps sediment washed from the land that would otherwise smother the reef. In the same way, this painting has a symbiotic relationship with 'Ocean Rainforest' depicting sea turtles amongst a coral reef. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565773654453-5ZY5EYS2I93ABDHFCW12/ocean_rainforest3.jpg ANTHROPOCENE XTINCTION - 'OCEAN RAINFOREST' Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Winner of the Artivism Challenge with prints exhibited during Art Basel Miami. The competition utilised the visual arts to raise awareness about six critical issues impacting our ocean. The judges included Susan Rockefeller, Dustin Yellin, Aaron Levi Garvey, Doumi Busturia, Alexandre Arrechea and Zaria Forman. Selected for two curated collections on Saatchi Art by chief curator Rebecca Wilson. Featured in Musings, Entity, Ethical Hedonist, Oceanic Global and Investible Oceans. This painting focuses on several species of sea turtle, one of the Earth’s most ancient creatures who have been around since the time of the dinosaurs. No other group of vertebrates is facing a cloud of extinction quite like turtles with nearly half being imminently threatened. The critically endangered Hawksbill Turtle, which is less migratory and more reef-associated, is represented in black and white. In some places around the world coral reefs have been entirely destroyed, while in others they are a shadow of what they once were. Nearly 90% of our reefs could be gone by 2050, eradicating a global source of food and livelihood worth an estimated $1 trillion if nothing is done to protect one of the most bio diverse ecosystems on the planet. The ghostly female figure representing the source of water is an allegorical reminder that our future is inherently bound up with our treatment of the earth’s natural resources. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565773753181-KTUE4163NNYSJJ44SVR5/sharks4.jpg ANTHROPOCENE XTINCTION - 'NOT WAVING BUT DROWNING' Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Allegorical painting about the distinction between predator and prey. Sharks are apex predators and yet they are continually threatened by humans through actions such as finning, habitat loss and the destruction of reefs https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565773854431-H9UAE3DS4XL9NBSTHJHD/zebra7.jpg ANTHROPOCENE XTINCTION - 'MIGRATION OF THE DISPLACED' (PRIVATE COLLECTION, LONDON). Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Selected for three curated collections on Saatchi Art and Best of April 2021 collection by chief curator Rebecca Wilson. Featured in The Curator’s Salon, The Flux Review, Yorkshire Living, Musings, Entity, Ethical Hedonist, Oceanic Global and Investible Oceans. Allegorical mixed media work about displacement and loss. The monochromatic panel highlights irreversible loss and memories of things long gone. The crystal mosaic X on the face of the principal animal at once highlights its preciousness and draws attention to its fate. The work focuses on the Grevy’s Zebra featured in the monochromatic panel, which is the most threatened of the three species of zebra, assessed as Endangered with a population reduction of 54% over the past three generations to a current population of about 2,680 individuals. Of equal importance and under threat are rainforests where this scene is set and not on their native Ethiopian and Northern Kenyan habitat. This underscores the involuntary migration metaphor, representing both the fragility of the migratory Grevy’s Zebra and alluding to the vulnerability of the migration of any displaced being. As climate change intensifies, so too will the battle for earth’s resources and the need for many to find shelter as migrants displaced from their own homes. The addition of the crouching ghostly female figure serves as a reminder that our own future is inherently bound up with our treatment of the earth’s natural resources. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1565773950978-6OPEJJNPHS8DHCBE0ZEP/giraffe4.jpg ANTHROPOCENE XTINCTION - 'FISSION FUSION' Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Selected for a curated collection of ‘Statement Pieces’ on Rise Art in October 2021. Selected for a featured collection on Saatchi Art by chief curator Rebecca Wilson. Featured in Ethical Hedonist. Giraffes are usually found in groups, traditionally the composition of these groups has been described as open and ever-changing. Giraffes were thought to have few social bonds and for research purposes, a 'group' has been defined as 'a collection of individuals that are less than a kilometre apart and moving in the same general direction.' More recent studies have found that giraffes do have long-term social associations and may form groups or pairs based on kinship, sex or other factors. These groups may regularly associate with one another in larger communities or sub-communities within a fission–fusion society https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1521653057760-VAFK9N5YZR8D90DDRH6F/ocean_tryptich.jpg ANTHROPOCENE XTINCTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629344816-LOZZEUVLKTQCZN1ZBCVM/asian_elephant.jpg ANTHROPOCENE XTINCTION - 'IGNARUS VANITAS' Oil on canvas. 20 x 20 inches (50cm x 50cm) 2019 Allegorical painting relating to the cause and effect of all actions. "Claire Milner’s artwork is staggeringly beautiful.. a beguiling woman riding an elephant. But upon closer inspection, it’s clear all is not well in these worlds—the elephant is in chains… Climate change, poaching, and loss of habitat are forcing already endangered animals into extinction. And that’s just what Milner wants us to think and talk about—and then take action." Musings Magazine https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629364754-NCJW5IX6PHOY9U0G31ZV/fire.jpg ANTHROPOCENE XTINCTION - 'CAUSE AND EFFECT' Oil on canvas. 60cm x 85cm 2019 Allegorical painting focusing on climate change and the interconnectedness of all life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629355832-690KDY3PHGZEFXD7T8HC/habitat_loss1.jpg ANTHROPOCENE XTINCTION - 'WHERE DO WE COME FROM? WHAT ARE WE? WHERE ARE WE GOING?' Oil on canvas. 60cm x 85cm 2019 Influenced by the paintings of Gaugin and Rousseau. Recurring motifs include the peacock as an allegory of vanity and camera phone, posed for a ‘selfie’ but warning of the effects of human activities. The palette of earth colours contrasts with grisaille panels depicting crises for the planet. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1500569969117-80BTZBRRJKWGRWBR5AX5/flamingo_detail1.jpg ANTHROPOCENE XTINCTION - SYMBIOSIS (Crystal mosaic detail) This painting focuses on several species of flamingo, the most threatened being the Andean Flamingo, which is represented in black and white. Of equal importance and under threat are the mangrove forests. These critical and complex ecosystems are among the most productive and biologically complex on earth. Their loss could prove catastrophic in terms of climate change due to their importance as carbon storage assets. The ghostly female figure is an allegorical reminder that our future is inherently bound up with our treatment of the earth’s natural resources. Mangroves and coral reefs have a symbiotic relationship – the reef protects the coast where the mangroves grow from being eroded by the sea, and the mangrove forest traps sediment washed from the land that would otherwise smother the reef. In the same way, this painting has a symbiotic relationship with 'Ocean Rainforest' depicting sea turtles amongst a coral reef. The painting is from a collection entitled 'ANTHROPOCENE XTINCTION', the third in an ongoing series pointing to the unnatural pressures inflicted on the natural world by humanity. The monochromatic panels highlight potential irreversible loss, a message which is given further emphasis in the crystal mosaic cross on the face of the principal animal, which at once highlights its preciousness and draws attention to its fate. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629383088-K1U4X67Q24M71022XLO8/monkey1.jpg ANTHROPOCENE XTINCTION - 'BEFORE THE FALL' Acrylic on canvas. 60cm x 85cm 2019 Allegorical painting focusing on climate change and the interconnectedness of all life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629411935-XG44ZBJE9YO6Z2GB5JEY/mnemosyne.jpg ANTHROPOCENE XTINCTION - 'MNEMOSYNE: THE LAMP OF MEMORY' (After Dante Gabriel Rossetti). Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016 Featured in After Nyne and WideWalls. The painting features Mnemosyne with the lamp of memory juxtaposed with fading images of elephants and includes allegorical references to politics and the environment. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629394380-PNG2NBRT4JV8K1VN3RX0/artemis.jpg ANTHROPOCENE XTINCTION - 'ARTEMIS, LANDSCAPE OF A MIND: PREDATORY MANOEUVRES' (After Leochares and Modigliani). Oil on canvas. 35.5 X 35.5 inches (90 X 90 cm). 2016 Featured in After Nyne and WideWalls. The painting features Artemis 'Goddess of the Hunt' and includes allegorical references about the distinction between predator and prey, feminism, politics and the environment. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605629388481-T32W1L16EPSBZSWOQRMZ/andromeda.jpg ANTHROPOCENE XTINCTION - 'THE PHYSICAL IMPOSSIBILITY OF CAPTIVITY IN THE MIND OF SOMEONE FREE' (After Tamara De Lempicka, Domenico Guidi and Damien Hirst). Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2017 Featured in Oceanic Global and Investable Oceans. The painting features Andromeda 'Ruler of Men' juxtaposed with the electrical symbol of resistance and includes allegorical references to female empowerment, politics and the environment. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1497258747697-WJ63HQRKTKYQTZX98QED/coral_detail.jpg ANTHROPOCENE XTINCTION - OCEAN RAINFOREST (Crystal mosaic detail) This painting focuses on several species of sea turtle, one of the Earth’s most ancient creatures who have been around since the time of the dinosaurs. No other group of vertebrates is facing a cloud of extinction quite like turtles with nearly half being imminently threatened. The critically endangered Hawksbill Turtle, which is less migratory and more reef-associated, is represented in black and white. In some places around the world coral reefs have been entirely destroyed, while in others they are a shadow of what they once were. Nearly 90% of our reefs could be gone by 2050, eradicating a global source of food and livelihood worth an estimated $1 trillion if nothing is done to protect one of the most bio diverse ecosystems on the planet. The ghostly female figure representing the source of water is an allegorical reminder that our future is inherently bound up with our treatment of the earth’s natural resources. Mangroves and coral reefs have a symbiotic relationship – the reef protects the coast where the mangroves grow from being eroded by the sea, and the mangrove forest traps sediment washed from the land that would otherwise smother the reef. In the same way, this painting has a symbiotic relationship with ‘Symbiosis' depicting flamingos amongst mangrove forests. The painting is from the collection entitled 'ANTHROPOCENE XTINCTION', the third in an ongoing series pointing to the unnatural pressures inflicted on the natural world by humanity. The monochromatic panels highlight potential irreversible loss, a message which is given further emphasis in the crystal mosaic cross on the face of the principal animal, which at once highlights its preciousness and draws attention to its fate. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1500570282499-MGKEOUOS4X1N31AODMSF/giraffe_face1.jpg ANTHROPOCENE XTINCTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1501516162031-F4ZFMZYQFKOY2EKPW2CT/zebra_face1.jpg ANTHROPOCENE XTINCTION - THE MIGRATION (Crystal mosaic detail) ANTHROPOCENE ❌TINCTION brings together many elements of 'True Value' and 'Holocene Twilight'; the monochromatic panels again highlight potential irreversible loss, a message which is given further emphasis in the crystal mosaic cross on the face of the principal animal which at once highlights its preciousness and draws attention to its fate. The works take the paintings of Henri Rousseau, as their starting point in order to draw the parallel that even though the artist's best known paintings depicted jungle scenes, he never saw a jungle or left his home country of France. Similarly many future generations will not have the possibility of seeing these creatures in the wild if urgent action is not taken now. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1495107004948-PSS7LVARKX5HSS0Z7D41/giraffe_face.jpg ANTHROPOCENE XTINCTION ANTHROPOCENE ❌TINCTION brings together many elements of 'True Value' and 'Holocene Twilight'; the monochromatic panels again highlight potential irreversible loss, a message which is given further emphasis in the crystal mosaic cross on the face of the principal animal which at once highlights its preciousness and draws attention to its fate. The works take the paintings of Henri Rousseau, as their starting point in order to draw the parallel that even though the artist's best known paintings depicted jungle scenes, he never saw a jungle or left his home country of France. Similarly many future generations will not have the possibility of seeing these creatures in the wild if urgent action is not taken now. https://www.claire-milner.co.uk/fashion daily 0.75 2017-07-03 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1499088086298-HC1OQP8LY1N99SIX1UCJ/5girls.jpg FASHION ILLUSTRATION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1499088086298-HC1OQP8LY1N99SIX1UCJ/5girls.jpg FASHION ILLUSTRATION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1499088057719-MB7E4OJ711M7ZMQ72KZP/2.2girls.jpg FASHION ILLUSTRATION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1499088239566-DPU4YPW7KM64DIBOMADJ/minny.jpg FASHION ILLUSTRATION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1499088057578-RNQAKMADC9EL4FFMI3XM/1girl.jpg FASHION ILLUSTRATION 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COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1612796387207-U4BKO28BXJDLPEMG8TJS/pangolin3.jpg ANIMA MUNDI COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1612796379869-9U7OTSZUF022EMWWOQQP/narwol3.jpg ANIMA MUNDI COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637074465753-YX5GVO3AYPL79NODX7SC/elephant6.jpg ANIMA MUNDI COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766583291127-LF9O958NURCOQ99AZKBE/narwol_text.jpg ANIMA MUNDI COLLECTION https://www.claire-milner.co.uk/anima-mundi-top daily 0.75 2025-12-24 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1682514612349-B8NV44TGJNMS1WMAB7FU/self_blue4.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1600684061591-23K9TMA54866SCMEW5CH/self_blue.jpg ANIMA MUNDI TOP 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https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1650634723732-DO1TWYH70GHVP1Z3SHRR/rhino_RA1.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1612796361929-IMO7ODRT4G09QVY4FAYI/hippopotomus5.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637159517617-U7KTXOHIVROOIXGI89J9/snow_leopard8.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637158916945-MR0BE02EMLWS5PT22CWC/panda6.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1612796387207-U4BKO28BXJDLPEMG8TJS/pangolin3.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1612796379869-9U7OTSZUF022EMWWOQQP/narwol3.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637074465753-YX5GVO3AYPL79NODX7SC/elephant6.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766583291127-LF9O958NURCOQ99AZKBE/narwol_text.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1621963738177-IEF18CMC6AISXO3O8GXA/self7.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1551960654485-OKC7A7QQ7YELUBGJL9SH/habitat_loss1.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576859829202-RT6213ZO9WV0LC4RZH1B/tiger_tapir.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1591108962289-8S6UL1MC8RRUFWO8132P/self.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1571139384721-FIXFAJ58HEWJ94JXQ7D4/rhino_amica.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1585317255350-PRCGYGL9AM0I6WIGJ9K7/tiger_tapir2.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576067854333-C8IV324AKD7H5HH36I7B/tiger_tapir2.jpg ANIMA MUNDI TOP https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1569945147193-MFQS8BGM48STONOZCQPC/alchemist.jpg ANIMA MUNDI TOP https://www.claire-milner.co.uk/anima-mundi-1 daily 0.75 2025-12-24 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1682514714789-3DC47QCIES1DB6R1MVDA/self_blue.jpg ANIMA MUNDI ART COLLECTION - 'EVERYTHING IS CONNECTED: FADING TO ABSTRACTION' Acrylic on unstretched canvas. 90cm x 90cm. 2020 Chosen as Painting of the Day by Contemporary British Painting. Selected for Create! curated virtual exhibition. Selected for ‘Alchemy’ juried exhibition. The work spotlights the intrinsic connection between all living things on the planet, the six creatures hidden and revealed in this painting represent the sixth mass extinction. The integral self-portrait represents the fact that ‘Everything is Connected’ and our future is inherently attached to that of the natural world. The painting was created in response to the devastating news from the WWF Living Planet Report which demonstrated an average 68% fall in almost 21,000 wildlife populations in just the last 50 years. Painted during the Coronavirus lockdown, this contemplative portrait depicts a life’s work raising awareness about the plight of keystone species, climate change and habitat loss. Realistic and abstract elements coexist alongside carefully selected art historical references, such as the self-portraits of Frida Khalo. Inspired by a love of Africa and recalling time spent living there, the work accentuates the uneasy juxtaposition of abundance and loss. This self-portrait simultaneously offers the ideal of a future where we live in harmony with nature and each other, yet also presents a sense of urgency as the six creatures are fading and some are difficult to identify. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1682514714789-3DC47QCIES1DB6R1MVDA/self_blue.jpg ANIMA MUNDI ART COLLECTION - 'EVERYTHING IS CONNECTED: FADING TO ABSTRACTION' Acrylic on unstretched canvas. 90cm x 90cm. 2020 Chosen as Painting of the Day by Contemporary British Painting. Selected for Create! curated virtual exhibition. Selected for ‘Alchemy’ juried exhibition. The work spotlights the intrinsic connection between all living things on the planet, the six creatures hidden and revealed in this painting represent the sixth mass extinction. The integral self-portrait represents the fact that ‘Everything is Connected’ and our future is inherently attached to that of the natural world. The painting was created in response to the devastating news from the WWF Living Planet Report which demonstrated an average 68% fall in almost 21,000 wildlife populations in just the last 50 years. Painted during the Coronavirus lockdown, this contemplative portrait depicts a life’s work raising awareness about the plight of keystone species, climate change and habitat loss. Realistic and abstract elements coexist alongside carefully selected art historical references, such as the self-portraits of Frida Khalo. Inspired by a love of Africa and recalling time spent living there, the work accentuates the uneasy juxtaposition of abundance and loss. This self-portrait simultaneously offers the ideal of a future where we live in harmony with nature and each other, yet also presents a sense of urgency as the six creatures are fading and some are difficult to identify. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325142751-MWPAHX0MXC5QG2W5RCUB/self.jpg ANIMA MUNDI ART COLLECTION - 'THE VALUE OF A STATISTICAL LIFE' Acrylic on unstretched canvas. 95cm x 95cm 2020 Selected for Create! Magazine’s global virtual exhibition curated by Gita Joshi. Featured in The Flux Review The value of a statistical life (VSL) is the local trade-off rate between fatality risk and money. When the trade-off values are derived from choices in market contexts the VSL serves as both a measure of the population's willingness to pay for risk reduction and the marginal cost of enhancing safety. During 9/11 the compensation received by families was dependent on the earning potential of the victim, which predictably adversely affected lower income groups. The number also varies from country to country and affects everything from health to climate policy. But who decides the value, and is the calculation morally just? Of course, human life is always the value spoken of in this context, but what of other, non-human lives, whose very existence is threatened by the harms caused by humans. Painted during the corona virus lockdown, this contemplative portrait depicts a life’s work raising awareness about the plight of keystone species, climate change and habitat loss, issues so integral, that a self-portrait without them just wouldn’t be complete. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325404088-P8YVO7RCVB3WNR9KKU72/wolf1.jpg ANIMA MUNDI ART COLLECTION - 'LA LUPA: WHAT REMAINS?' Acrylic on unstretched canvas. 100 cm x 100cm. 2021. Selected for ArtCan & La Condamine curated virtual exhibition. As floods have devastated parts of Europe and China, heatwaves and wildfires have swept North America and even Siberia, and the devastating news that in some areas the Amazon is emitting more carbon than it is absorbing, the world must get to grips with the climate crisis and rapidly slash emissions in the 2020s to have a chance of a safe future. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325455302-1D0VIMWEIRN81W05M01N/paradise_lost.jpg ANIMA MUNDI ART COLLECTION - 'PARADISE LOST' (PRIVATE COLLECTION, LONDON) Acrylic on unstretched canvas. 95cm x 95cm Selected for a featured collection on Saatchi Art by chief curator Rebecca Wilson and for a collection marking Earth Day curated by Aurora Garrison. Selected for ArtCan & La Condamine curated virtual exhibition. The second painting in a series focusing on the Leuser Ecosystem which is one of the most ancient and life-rich ecosystems ever documented by science. It is the last place on Earth where Sumatran orangutans, elephants, tigers, rhinos and sunbears still roam the same habitat, a hotspot of biodiversity and among the most important areas of intact rainforest left in Southeast Asia. Industrial development for palm oil, pulp and paper plantations and mining continues to threaten the entire ecosystem, despite being technically protected under Indonesian national law. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325490284-5IF2GWTYQ1YNXMMSNE01/leuser1.jpg ANIMA MUNDI ART COLLECTION - 'LOGGING THE LEUSER' Acrylic on unstretched canvas. 95cm x 95cm. 2020 Chosen as a Friday Feature by David Shepherd Wildlife Art, home of Wildlife Artist of the Year. Selected for ArtCan & La Condamine curated virtual exhibition. Featured in Create! Magazine, The Flux Review and The Curator’s Salon. This painting focuses on the Leuser Ecosystem which is one of the most ancient and life-rich ecosystems ever documented by science. It is the last place on Earth where Sumatran orangutans, elephants, tigers, rhinos and sunbears still roam the same habitat, a hotspot of biodiversity and among the most important areas of intact rainforest left in Southeast Asia. Industrial development for palm oil, pulp and paper plantations and mining continues to threaten the entire ecosystem, despite being technically protected under Indonesian national law. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325521257-UVN8UWJA1HFLJJJRC0P6/tiger_tapir2.jpg ANIMA MUNDI ART COLLECTION - 'THE DISAPPEARED' Acrylic on canvas. 150cm x 100cm. 2019 Featured in The Observer, The Flux Review, Musings Create! Magazine and Entity.Selected for a juried exhibition entitled ‘Alchemy’ In the classical tradition, triangular or pyramidal compositions were used because they created a sense of balance and harmony by arranging the figures into a stable overall geometric structure. Making reference to this, a sense of jeopardy is also introduced, by placing many elements on the outside of the structure. The creatures and the forest are semi abstract and disappearing, as is the female figure - a self portrait, referencing a connection between all ecosystems. The Monarch butterflies rising up from the forest fire are an allegory for the migration of the displaced. As with other works in this collection, the camera phone warns of human inflicted damage, this time showing a tiger skeleton as if holding a mirror up to the tiger walking below. A reflection to the sixth mass extinction. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325757995-KW7EQQWFGRZEKRKH3MCR/alchemist.jpg ANIMA MUNDI ART COLLECTION - 'THE ALCHEMIST' (AUCTIONED IN AID OF EXPLORERS AGAINST EXTINCTION). Oil paint, handmade paper and Swarovski crystals on canvas. 85cm x 60cm 2019 Exhibited at COP26, Glasgow with Explorers Against Extinction. Exhibited at The Oxo Gallery, London with Explorers Against Extinction. Exhibited at The Crypt Gallery, Norwich for Explorers Against Extinction, Sketch for Survival show. Exhibited at The Dundas Street Gallery below the Fine Art Society in Edinburgh ‘On The Brink’ is part of a collection created by award-winning and International artists from around the World in aid of global frontline conservation. Featured in The Flux Review. Influenced by Paulo Coelho’s fable about fulfilling one’s destiny on the journey of life. This painting is an allegory of the artist’s own journey, involving a lifelong commitment to advocating for the environment and the protection of endangered species. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325555601-LJP0LBVNVRKH55AW26NJ/rhino_amica.jpg ANIMA MUNDI ART COLLECTION - 'PLAYING WITH FIRE' Acrylic on canvas. 150cm x 100cm 2019 Shortlisted for the Royal Academy Summer Exhibition 2022. Featured in The Curator’s Salon, The Flux Review, Musings and Entity. An allegory of a lifelong commitment advocating for the environment and protection of endangered species. Influenced by Coelho’s fable about fulfilling one’s destiny on the journey of life, this painting features a self-portrait as ‘protector of the animals.’ The painting is partially influenced by the work of Rousseau and the fact that although he continuously painted jungle scenes, he never saw them in reality. This concept is underscored by the devastation of our natural world and illuminates the idea that we may soon only be able to see these creatures in two dimensional representations. As with other works from this collection (Anima Mundi) recurring motifs include butterflies representing Chaos Theory specifically in relation to the fact that initial small changes may ultimately have profound effects, such as the extensive impact of climate change. The camera phone panel warns of dystopia, indicating indifference and detachment when viewed through a lens, here depicting devastating forest fires, destined to become more and more prevalent in the future. Other parts of the work show a more optimistic outlook representing a stark choice for the future. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325586733-P804MXSVA9A7A1EGI0MZ/hippopotomus.jpg ANIMA MUNDI ART COLLECTION - 'THE CRADLE OF CIVILIZATION' Acrylic on canvas. 150cm x 100cm 2020 Featured in The Flux Review. Inspired by a love of Africa and recalling time spent living and travelling there ‘Fractured Earth’ relates to nature, our place within it and encroachment upon it. In this cradle of civilization, emphasis is placed on the uneasy juxtaposition of abundance and loss; evaluating the connection and current disconnect between humankind and the natural world. The impact of humanity is implicit, even though the human figure plays a minor role in the composition. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1583674380634-BGZ3PG2QQ9OX43IQ58O6/snow_leopard.jpg ANIMA MUNDI ART COLLECTION - 'A TERRIBLE BEAUTY, AN UNFATHOMABLE SPIRIT' (PRIVATE COLLECTION, LONDON) Acrylic on canvas. 90cm x 90cm 2020 SOLD. Camden Goods Yard Showhome (The Berkeley Group and Atellior Interior Design). Featured in The Flux Review and Create! Magazine. “The golden birds fall from the morning sun like blowing sparks that drop away and are extinguished in the dark.. And then there was the small matter of the snow leopard, whose terrible beauty is the very stuff of human longing. Its uncompromising yellow eyes, wired into the depths of its unfathomable spirit, gaze out from the cover of innumerable editions. It is, I think, the animal I would most like to be eaten by.“ Peter Matthiessen, The Snow Leopard. Much of “The Snow Leopard” is about the difference between the physical act of seeing something and the more profound, spiritual act of perceiving it, which requires escaping one’s ego-bound point of view in order to appreciate the unity of life. It is also a book about mortality. Matthiessen ruminated on the “great dying” of the Himalayan landscape. Even in the nineteen-seventies, Matthiessen believed that the wilderness he travelled through would probably disappear by the end of the century. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325625574-X1U2EIDY708IWWSVFGTX/panda1.jpg ANIMA MUNDI ART COLLECTION - 'PANDA ROSSO: ALLEGORY OF A CLASS SYSTEM' Acrylic on unstretched canvas. 95cm x 95cm 2020 Featured in The Flux Review. Why are some individuals venerated and others so abused, even within the same species and culture? Think of the panda, a bear which has iconic status in China, represented as the very symbol of the country; yet the cruel and painful extraction of bear bile continues to be taken from other bears barbarically held captive in ‘crush cages’. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325655024-8BEFF6YDLQBYB09ZHDV9/pangolin1.jpg ANIMA MUNDI ART COLLECTION - 'THE IMPACT OF THE HIGHLY IMPROBABLE' Acrylic on unstretched canvas. 95cm x 95cm 2020 Featured in The Flux Review. Allegorical and literal, the work references Leda and the swan, however, as a topical reference to our current political, environmental and health situation, this depiction is of a black swan; signifying random events underlying our lives. Black Swan events are characterized by their extreme rarity, their impact is huge and they're impossible to predict. They represent the impact of the highly improbable. Prior to this virus, relatively few people had heard of pangolins, shy creatures from the anteater family and their place in the illegal wildlife trade, yet they are one of the most trafficked mammals in Asia. The self portrait appears as protector of the animals, ghostly and semi transparent; a reminder that our future is inherently bound up with our treatment of the earth’s natural resources. The camera phone shows the Coronavirus “The impact of the Highly Improbable” indicating indifference and detachment when viewed through a lens. The Butterfly represents Chaos theory illustrating that initial small causes may have huge impacts. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637325730077-AHECG7YV782KPXV7K9F4/narwol.jpg ANIMA MUNDI ART COLLECTION - 'LAST CHANCE TO SEE' (PRIVATE COLLECTION, U.K.) Acrylic on canvas. 50cm x 50cm 2019 Featured in The Flux Review, The Curator’s Salon, Musings and Entity. Oceans cover the majority of our planet, but little is known about their depths. The life forms surviving in these hostile environments are thought by some to be the beginnings of life on earth. Some creatures will be extinct before we know they exist. Marine creatures are suffering from pollution and are injured by plastic and other waste. This painting is an allegory of the artist’s lifelong commitment to advocating for the ocean environment. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1637326593575-QR5FA40SZO59MYXSVE3M/elephant6.jpg ANIMA MUNDI ART COLLECTION - 'MURDER MOST FOUL' Acrylic, paint skins, text and transfers on unstretched canvas. 82cm x 64cm Featured in The Flux Review. Chosen for a curated selection of paintings on Rise Art. Paint skins are used as a vehicle to introduce the graphic reality of the brutalisation suffered by these wild creatures. The immediate impression is joyful, but on close inspection it’s anything but.. These small details are difficult to look at even in black and white. They are not the first thing to be noticed, but once seen, they are difficult to forget. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1551964351856-5B27N1MJCQDXFWDQUL8B/habitat_loss1.jpg ANIMA MUNDI ART COLLECTION - 'CAUSE AND EFFECT' Oil on canvas. 60cm x 85cm 2019 Allegorical painting focusing on climate change and the interconnectedness of all life on earth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766583019743-8PWRR90N1QH95QED0SYP/narwol_text.jpg ANIMA MUNDI ART COLLECTION - 'OCEAN UNICORNS' Acrylic on box canvas. 100 cm x 100 cm. 2022 Often dubbed the unicorns of the sea, narwhals are strange and beautiful creatures with long tusks protruding from their heads. The narwhal tusk—most commonly found on males—is actually an enlarged tooth with sensory capability and up to 10 million nerve endings inside. https://www.claire-milner.co.uk/projects daily 0.75 2020-08-21 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576950793314-JY6CGKT1SQ9WL3Z694TN/Marilyn_me4.jpg PROJECTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576950793314-JY6CGKT1SQ9WL3Z694TN/Marilyn_me4.jpg PROJECTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576951113983-MH1MZK1C8IJH7RJDZ2J7/joanna_me_virginia.jpg PROJECTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576950863920-MHZDC888F7Z4NCKKOCUJ/savoy.jpg PROJECTS https://static1.squarespace.com/static/568bc7bfa976afe4609be619/5dfe5b93c3cccc26289206df/5dfe5baa7173c34067a79e75/1576950698955/ PROJECTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1576950742001-ZEV2BU3Z50OCSSNLKQKK/michael_working.jpg 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RAINFOREST https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/62ef4580-acf5-4195-98e9-ce9e7109151a/turtles1.jpg OCEAN RAINFOREST - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1606048291820-OIA4LXLG7PITZ7FZCW71/alphaa1.1.jpg OCEAN RAINFOREST https://www.claire-milner.co.uk/sheldrick-trust daily 0.75 2023-12-18 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605975434855-YLFHUZ3GCT7IXIWE74UY/simotua.jpg SHELDRICK TRUST https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605978172073-ZJHHOD6MR4OGGDTBGN1K/simotua.jpg SHELDRICK TRUST https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1605880326206-J3XD0I7WC8ZSS868GE43/simotua_photo.jpg SHELDRICK TRUST https://www.claire-milner.co.uk/collections daily 0.75 2021-08-06 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https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/3ef013cf-f741-4c26-9baa-3335a07b46fc/EXPLORERS5.jpg PROJECTS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/474a65a2-b533-4144-8884-239402ee98e7/vents_banner.jpg PROJECTS https://www.claire-milner.co.uk/explorers-against-extinction daily 0.75 2023-12-18 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1639149843539-Y22DGLU0I3GLG5NCBWCW/alchemist.jpg EXPLORERS AGAINST EXTINCTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/cd11916f-ea5b-4ce3-a2cf-f778d713a689/EXPLORERS2.jpg EXPLORERS AGAINST EXTINCTION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1639148911089-UWENQKID46DNVDG6CVJ0/EXPLORERS.jpg EXPLORERS AGAINST EXTINCTION - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.claire-milner.co.uk/gardeners-of-eden daily 0.75 2026-01-27 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1661343988600-61CJD0HQNX57RXPVAEQ9/gardeners_of_eden_exhibition.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1731589624077-RY6XO137PJ1F0US64GFA/GardenersofEden.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1758640138346-D93MRFP52HCX43XCVMMI/rewilding6.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1738237281436-8R2YUOJ5JVG67WJGJHX2/whale_nation4.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1694020460075-KRTDZCCW28P24C3S2F37/charity_water.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1731591114326-1S9JMR6LISMWZS277ULN/a_burning_world.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1716564470725-AVDT81VJ3X6RAH94JIRF/river_bank1.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1742815607595-KS8JTXFCO5KO0DL1R92Z/the_sixth2.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1710855449370-IH7GCXHT0S401K7TQ5IW/faerie_queene7.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1742814740178-JE3E67NBNIQYK8BZ3M01/Garden_of_Good_and_Evil.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1762530870623-BDVBVGUR26763Q9LEEM3/the_course_of_empire1.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1762529740217-RX4TB8HAH5UMSAVA6U86/after_the_fall_dyptich1.1.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1762529740218-WZJY8LVNYU35FQR8M70Z/after_the_fall_dyptich2.2.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766072869327-1PFCZT6T72R2A2THI2KH/SURINAME_DYPTICH1.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1768922064166-FHLI4PAO4SIMXROE1D2S/SURINAME6.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1703170593275-X1WDEB09I2N6CUQ4SEWN/Darkness_Visible.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1718036221019-XULPGWJ06PUZEH29YCE7/APHRODITE3.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1719571509317-V1IFX2T7RV9E0HYX21DM/the_dream.jpg GARDENERS OF EDEN COLLECTION - the_dream.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1716561023791-HDICS5OH9QLWNI57WZGG/circle_of_life.jpg GARDENERS OF EDEN COLLECTION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1769443175304-BDZ6IDZZVKM8PIUCVJNU/crash2.jpg GARDENERS OF EDEN COLLECTION https://www.claire-milner.co.uk/studio daily 0.75 2022-01-11 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641893705734-OCJI764VHT1S0NLBMR2H/studio_paintings.jpg STUDIO https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641833453511-QL3R22L7F11HGM3L7XR6/shoulder.jpg STUDIO - Make it stand out INSTALLATION https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641833237331-0HAFBUQZKIUL9LUJRBU6/working_elephants.jpg STUDIO - Make it stand out WORK IN PROGRESS https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641834964423-85ZRAGDOBEO061J9OMY3/working_fire.jpg STUDIO - Make it stand out WORKING ON A PREPARATORY SKETCH https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641834923854-Y3Q08RSSCE17HPJXBMX3/lion.jpg STUDIO - Make it stand out FINISHING TOUCHES TO A CRYSTAL MOSAIC https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641835033726-JGUOZP3PA5Y9Y77S8AOK/working_long_selfblue.jpg STUDIO - Make it stand out PAINTING THE EDGES https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1641835123157-3M7C1BSRBTEQG1ZLQJHQ/marilyn_me.jpg STUDIO - Make it stand out MARILYN CRYSTAL PORTRAIT COMMISSIONED BY RIHANNA https://www.claire-milner.co.uk/gardeners-of-eden-1 daily 0.75 2026-01-29 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1731591863409-FN79HPXG2OARTTAMD98O/gardeners_of_eden1.jpg GARDENERS OF EDEN - 'GARDENERS OF EDEN' Acrylic on box canvas. 200 cm x 100 cm. 2022-3 Featured in Create! Magazine Titled after the documentary film of the same name, the principle painting in this collection appears benign, even joyful yet posits an unfolding ecological disaster with potentially far-reaching consequences. Not least of which is the loss of additional creatures such as zebras and impalas, dependant for their survival on the habitat-clearing work of elephants who are known as “The Gardeners of Eden”. Elephants are a subject the artist returns to repeatedly. These ‘Delicate and Mighty’ creatures live in matriarchal societies relying on the wisdom of their elder stateswomen who are at the hub of complex social networks. Additionally, the idea that groups led by older matriarchs might have a survival advantage is supported by a study of elephants in Tangarire National Park in Tanzania. We are facing an extinction crisis. Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. We have entered the sixth major extinction in Earth’s history, following the fifth great extinction causing the disappearance of the dinosaurs. Climate change, our impact on the environment, habitat loss and the current rapid rate of extinction are all issues which have devastating implications as the biggest challenges we face. We are racing extinction and we cannot afford to lose. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1731591863409-FN79HPXG2OARTTAMD98O/gardeners_of_eden1.jpg GARDENERS OF EDEN - 'GARDENERS OF EDEN' Acrylic on box canvas. 200 cm x 100 cm. 2022-3 Featured in Create! Magazine Titled after the documentary film of the same name, the principle painting in this collection appears benign, even joyful yet posits an unfolding ecological disaster with potentially far-reaching consequences. Not least of which is the loss of additional creatures such as zebras and impalas, dependant for their survival on the habitat-clearing work of elephants who are known as “The Gardeners of Eden”. Elephants are a subject the artist returns to repeatedly. These ‘Delicate and Mighty’ creatures live in matriarchal societies relying on the wisdom of their elder stateswomen who are at the hub of complex social networks. Additionally, the idea that groups led by older matriarchs might have a survival advantage is supported by a study of elephants in Tangarire National Park in Tanzania. We are facing an extinction crisis. Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. We have entered the sixth major extinction in Earth’s history, following the fifth great extinction causing the disappearance of the dinosaurs. Climate change, our impact on the environment, habitat loss and the current rapid rate of extinction are all issues which have devastating implications as the biggest challenges we face. We are racing extinction and we cannot afford to lose. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1759248698826-TIGSWNA9T1OKUUT75X8J/after_the_fall.jpg GARDENERS OF EDEN - 'REWILDING' Natural Earth Pigments on box canvas. 100 cm x 150 cm. 2025 Featured in Create! Magazine Inspired by the paintings of Henri Rousseau ‘Rewilding’ imagines a world after human civilisation has destroyed itself. This is a world where remaining architecture becomes superseded by nature and wildlife. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1737386078323-LV8T5NJ5RCQEJPA075KI/oceans.jpg GARDENERS OF EDEN - 'A FIFTY MILLION YEAR OLD SMILE' Natural Earth pigments, on box canvas. 150 cm x 100 cm 2025 Title from the book-length poem Whale Nation by Heathcote Williams: “From space, the planet is blue, From space, the planet is the territory Not of humans, but of the whale. Blue seas cover seven-tenths of the earth’s surface, And are the domain of the largest brain ever created, With a fifty-million-year-old-smile.” The poem honours the beauty, intelligence and majesty of the largest mammal on Earth. “The poem is overwhelming…brilliant, cunning, dramatic and wonderfully moving, a steady accumulation of grandeur and dreadfulness – and never any sense of exploiting the subject for poetic or literary effects, just a measured unfolding of real things from the heart of the subject” Ted Hughes writing of Heathcote Williams’s celebration of the most mysterious, gifted and intelligent creature to inhabit the high seas. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1694020797071-HAO2HFRXX53IJG60OJQB/charity_water.jpg GARDENERS OF EDEN - 'THE SOURCE' COLLABORATION WITH CHARITY: WATER AND THE OTHER ART FAIR (PRIVATE COLLECTION, U.K.) Acrylic on box canvas. 61 cm x 61 cm. 2023 Water is recognised as a basic human right, yet millions of people still lack basic drinking water access. charity: water is a nonprofit organisation bringing clean and safe water to people around the world in line with the United Nations Sustainable Development Goal (SDG) 6: water and sanitation for all by 2030. So far they have funded over 130,000 water projects in 29 countries around the world with the help of local partners. Claire Milner was one of a handful of artists selected to collaborate with charity:water in partnership with The Other Art Fair at the Truman Brewery, London. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1731591825496-VMXL5YP1KRS82A2XQ2H2/Fire.jpg GARDENERS OF EDEN - 'BURNING WORLD' Acrylic on box canvas. 200 cm x 100 cm. 2023 Featured in Create! Magazine Titled after J.G. Ballard’s novel ‘The Burning World’ and inspired by Henri Rousseau’s painting, ‘Surprised!’ this work simultaneously speaks to current events and mankind’s limitless ability to be caught out by recurring climate catastrophes, which should by now, have an unfortunate predictability. Uncontrollable and devastating wildfires are becoming an expected part of our seasonal calendars. They occur on every continent except Antarctica and most regions experience weather conditions conducive to the outbreak of a wildfire at some point in the year. Wildfires in ecosystems like peatlands and rainforests, which store large amounts of irrecoverable terrestrial carbon, release vast quantities of CO2 into the atmosphere, exacerbating global warming. In this way, wildfires may accelerate the positive feedback loop in the carbon cycle, making it more difficult to halt rising temperatures. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1716564592979-PXQPUIG8EPQBTR3HH0H5/leda.jpg GARDENERS OF EDEN - 'PANTA RHEI' Natural Earth pigments, on box canvas. 100 cm x 70 cm 2024 Panta Rhei translated as Everything Flows is one of the most famous philosophical quotes of all times. “No man ever steps in the same river twice, for it's not the same river and he's not the same man..” England’s rivers, include 85% of the world’s precious chalk streams, yet only 14% are in good ecological health, and all fail to meet chemical standards. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1661345429370-1CYY39S5FOQB0BQOYHNX/the_sixth1.jpg GARDENERS OF EDEN - 'THE SIXTH' Acrylic, Handmade Paper and Swarovski Crystals on box canvas. 61 cm x 61cm. 2022. Selected by the organisers of Hampstead Art Fair for ‘The Power of Words’ curated wall. According to a recent analysis, the sixth mass extinction of wildlife on Earth is accelerating. More than 500 species of land animals are on the brink of extinction and are likely to be lost within 20 years; the same number were lost over the whole of the last century. The study, conducted by scientists from 22 different institutions in six countries, confirmed the sixth mass extinction. The study states that this mass extinction differs from previous ones because it is entirely driven by human activity through changes in land use, climate, pollution, hunting, fishing and poaching. Five previous mass extinctions are: Ordovician-silurian Extinction: 440 million years ago. Devonian Extinction: 365 million years ago. Permian-triassic Extinction: 250 million years ago. Triassic-jurassic Extinction: 210 million years ago. Cretaceous-tertiary Extinction: 65 Million Years Ago. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1710597465171-51AODROESYE378C6AJUB/faerie_queen.jpg GARDENERS OF EDEN - 'TRUTH' (AFTER BRITON RIVIERE) Acrylic and Natural Earth pigments, on box canvas. 100 cm x 70 cm 2024 ‘Truth’ references ‘Una and the Lion’ depicted by Briton Riviere, inspired by ‘The Faerie Queene’, one of the great long poems in the English language, written in the 16th century by Edmund Spenser. The Faerie Queene is notable for its rich use of language, and its innovative verse form, the Spenserian stanza. An epic poem, characterized by its extensive use of allegory, the characters, events, and settings all represent abstract qualities, concepts, and moral or ethical ideas. It delves into themes of chivalry, morality, and the power of good over evil. It follows the adventures of several knights, each of whom represents a different virtue, and Una who represents truth. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1742814951675-SUNEPF617L5P8JVGWWDA/garden2.jpg GARDENERS OF EDEN - 'THE GARDEN OF GOOD AND EVIL' Natural Earth pigments, on box canvas. 70 cm x 70 cm 2025 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1759849199873-XXL49Q0RNEGIQDQ9K83J/the_course_of_empire.jpg GARDENERS OF EDEN - 'THE COURSE OF EMPIRE' Natural Earth pigments, on box canvas. 50 cm x 150 cm 2025 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1762529990000-0OCXH9Z7RTTO4VUBT55W/rewilding3.jpg GARDENERS OF EDEN - 'AFTER THE FALL' (DYPTICH 1) Natural Earth Pigments on box canvas. 100 cm x 150 cm. 2025 Inspired by the paintings of Henri Rousseau ‘After The Fall’ refers not only to the fall of Rome, but of human civilisation. This is a world where remaining architecture becomes superseded by nature and wildlife. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1762530019189-FHWKR4HICTFH8GGXD65X/after_the_fall_dyptich2.jpg GARDENERS OF EDEN - 'AFTER THE FALL' (DYPTICH 2) Natural Earth pigments, on box canvas. 100 cm x 100 cm 2025 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766073554795-15W2WC7R3WU3RPYXZWPW/SURINAME_DYPTICH1.jpg GARDENERS OF EDEN - 'LIFE REFLECTED' (DIPTYCH 1) Natural Earth pigments, on box canvas. 92 cm x 117 cm 2026 This painting was inspired by Suriname’s 2025 pledge to permanently protect 90% of its forests. Ahead of COP30 in Belém, Brazil, the government of Suriname made a historic and ambitious pledge to protect 90% of its forest cover in perpetuity, amounting to 15 million hectares of tropical rainforest. Part of a diptych, this painting has reflections of its companion piece, except here the forest is beginning to die, and there are no animals. A warning of what can happen with the interactions of humans in logging, mining, agriculture and other forms of development and extractive industries. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1768922228819-O3C6EFYTF1GLVWHAOMJ0/SURINAME.jpg GARDENERS OF EDEN - 'LIFE REFLECTED' (DIPTYCH 2) Natural Earth pigments, on box canvas. 92 cm x 117 cm 2026 This painting was inspired by Suriname’s 2025 pledge to permanently protect 90% of its forests. Ahead of COP30 in Belém, Brazil, the government of Suriname made an historic and ambitious pledge to protect 90% of its forest cover in perpetuity, amounting to 15 million hectares of tropical rainforest. Part of a diptych, this painting has reflections of its companion piece, except here the rainforest is verdant and thriving and the creatures within it coexist symbiotically. Suriname has the highest forest cover of any country in the world. Approximately 93% of the country is covered in tropical forest, most of which is primary forest, untouched by logging, mining, agriculture or other forms of development or extractive industries. It’s one of three countries that is a carbon sink and absorbs more carbon dioxide than it emits. Suriname’s forests sequester more than 900 million metric tons of carbon, making them important for efforts to address climate change and protect biodiversity. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1703170754569-NWZ0T6EYEZC9I4XQ0G0M/Darkness_Visible.jpg GARDENERS OF EDEN - 'AS ONE GREAT FURNACE FLAMED' Natural Earth pigments, on box canvas. 100 cm x 100 cm 2024 ‘..Yet from those flames No light; but rather darkness visible Served only to discover sights of woe.’ John Milton, Paradise Lost https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1718036421500-EUTN5ABK50XV14MSJ1Y1/APHRODITE.jpg GARDENERS OF EDEN - 'APHRODITE' (AFTER BRITON RIVIERE) Best known as an animal painter, Riviere was considered the successor to Britain’s great animalier Sir Edwin Landseer. Aphrodite is a scene showing the goddess of love and beauty surrounded by a group of wild animals, seemingly under her spell. The painting is inspired by an unusual scene derived from a Homeric hymn (8th-6th centuries BC). A label written by the artist is attached to the reverse of Rivière’s painting, and contains the specific verse: Aphrodite There clad herself in garments beautiful The laughter loving goddess. Gold-adorned She hasted on her way down Ida’s Mount, Ida, the many-rilled, mother of wild beasts And in her train, the grey wolf and the bear, the keen eyed lion and the swift footed pard, that hungers for the hind, all fawning came. Homeric Hymn to Aphrodite https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1716561938836-UF5GJ7ME59L1C02B6K7Z/leuser_text.jpg GARDENERS OF EDEN - 'THE CIRCLE OF LIFE' (DIPTYCH 1) Mixed Media with Natural Earth pigments. 95cm x 95cm Selected for ‘A Thousand Words’ virtual exhibition curated by Gita Joshi at The Curator’s Salon. Featured in The Curator’s Salon. This painting focuses on the Leuser Ecosystem which is one of the most ancient and life-rich ecosystems ever documented by science. It is the last place on Earth where Sumatran orangutans, elephants, tigers, rhinos and sunbears still roam the same habitat, a hotspot of biodiversity and among the most important areas of intact rainforest left in Southeast Asia. Industrial development for palm oil, pulp and paper plantations and mining continues to threaten the entire ecosystem, despite being technically protected under Indonesian national law. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1716561170310-NAQ0EQ2O97UPN2WXCOBN/leuser5.jpg GARDENERS OF EDEN - 'THE CIRCLE OF LIFE' (DIPTYCH 2) Acrylic on box canvas. 100 cm x 100 cm. 2023 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1719571712962-D872SWNMK4ZVUF3AX6OV/wolfandfoxhunt.jpg GARDENERS OF EDEN - WOLF AND FOX HUNT (AFTER RUBENS) https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1669574232923-HXCYTGVYLSL405DIWZ3P/artemis.jpg GARDENERS OF EDEN - 'PROTECT WHAT IS PRECIOUS' Mixed Media and Digital Collage. 85cm x 65cm 2021 Selected for ‘A Thousand Words’ virtual exhibition curated by Gita Joshi at The Curator’s Salon. Featured in The Curator’s Salon. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1769443276585-F9H8JQ14ARG1AC1YQB27/crash.jpg GARDENERS OF EDEN - 'THE DUNG SHOWER SIGNAL' Natural Earth pigments, on box canvas. 2026 The collective noun for a group of hippos is a ‘Crash’, and this painting is a powerful metaphor for raw territorial struggle, hegemony, intense political conflict, and the brutal collision of ego-driven power. It symbolizes a high-stakes battle between giants where neither side is willing to submit, often leading to mutual destruction or significant, lasting damage. In international relations, the geopolitical time of hippos refers to nations prioritizing essential needs, changing alliances based on pragmatism, and engaging in multi-directional foreign policies to maintain their position. In business, ‘Hippos’ (Highest-Paid Person's Opinion) represent leaders who are highly territorial, controlling, and suspicious, creating silos and spending more time fighting over resources than collaborating, often overriding data-driven insights and lower-level expertise leading to poor, subjective decisions and stifling creativity. https://www.claire-milner.co.uk/charity-water daily 0.75 2024-01-21 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702900778967-4JROEW6J8KNYK8AABFDD/charitywater.jpg charity: water - charitywater.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/b4f6f230-2391-4490-b07d-31f322694d11/charity_water.jpg charity: water - Make it stand out ‘THE SOURCE’ CREATED FOR CHARITY: WATER IN COLLABORATION WITH THE OTHER ART FAIR https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/5aec0aae-1fe2-4a42-8f4e-404948c3faed/exhibition.jpg charity: water - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/887a1a79-1d09-4fc1-aba9-e548a9a9dbb8/charitywater.jpg charity: water - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/db3ce278-7431-4a29-8a3c-5343b279d639/exhibition1.jpg charity: water - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1ec0b056-e1a7-4241-9e1a-4a668a2a126e/about.jpg charity: water - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/9798107a-aefa-4387-9cf1-18eed35f6cce/sales.jpg charity: water - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.claire-milner.co.uk/about-art-collections daily 0.75 2026-01-26 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702813704671-A04FA8Z2S3LM2RY6DEIB/gardeners_of_eden2.jpg ABOUT ART COLLECTIONS - GARDENERS OF EDEN (2023 - 2026) Titled after the documentary film of the same name, the eponymous painting in this collection appears benign, even joyful, yet posits an unfolding ecological disaster with potentially far-reaching consequences. Elephants are a keystone species, meaning that many additional creatures such as zebras and impalas are dependant for their survival on the habitat-clearing work of elephants, who are known as “The Gardeners of Eden”. Elephants are a subject the artist returns to repeatedly. These ‘Delicate and Mighty’ creatures live in matriarchal societies relying on the wisdom of their elder stateswomen who are at the hub of complex social networks. Additionally, the idea that groups led by older matriarchs might have a survival advantage is supported by a study of elephants in Tangarire National Park in Tanzania. We are facing an extinction crisis. Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. We have entered the sixth major extinction in Earth’s history, following the fifth great extinction causing the disappearance of the dinosaurs. Climate change, our impact on the environment, habitat loss and the current rapid rate of extinction are all issues which have devastating implications as the biggest challenges we face. We are racing extinction and we cannot afford to lose. Each individual artwork in this collection involves hundreds of hours of painting, which follows days or sometimes weeks of research. Three of the works in this series of predominantly large scale paintings are diptychs, and many are created with Natural Earth Paints, certified non-toxic with no harm to the environment. Because of their undiluted purity, these paints have a time-tested durability of thousands of years dating back to cave paintings. They are archival, their pure pigments are the most permanent of all and are completely unaffected by UV rays. The pigment particles are larger and more irregular than synthetic pigments, which allows for more light to pass through them, creating a paint that has a higher refraction-vibrancy. These paints have a connection with nature and the earth beneath our feet. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702813704671-A04FA8Z2S3LM2RY6DEIB/gardeners_of_eden2.jpg ABOUT ART COLLECTIONS - GARDENERS OF EDEN (2023 - 2026) Titled after the documentary film of the same name, the eponymous painting in this collection appears benign, even joyful, yet posits an unfolding ecological disaster with potentially far-reaching consequences. Elephants are a keystone species, meaning that many additional creatures such as zebras and impalas are dependant for their survival on the habitat-clearing work of elephants, who are known as “The Gardeners of Eden”. Elephants are a subject the artist returns to repeatedly. These ‘Delicate and Mighty’ creatures live in matriarchal societies relying on the wisdom of their elder stateswomen who are at the hub of complex social networks. Additionally, the idea that groups led by older matriarchs might have a survival advantage is supported by a study of elephants in Tangarire National Park in Tanzania. We are facing an extinction crisis. Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. We have entered the sixth major extinction in Earth’s history, following the fifth great extinction causing the disappearance of the dinosaurs. Climate change, our impact on the environment, habitat loss and the current rapid rate of extinction are all issues which have devastating implications as the biggest challenges we face. We are racing extinction and we cannot afford to lose. Each individual artwork in this collection involves hundreds of hours of painting, which follows days or sometimes weeks of research. Three of the works in this series of predominantly large scale paintings are diptychs, and many are created with Natural Earth Paints, certified non-toxic with no harm to the environment. Because of their undiluted purity, these paints have a time-tested durability of thousands of years dating back to cave paintings. They are archival, their pure pigments are the most permanent of all and are completely unaffected by UV rays. The pigment particles are larger and more irregular than synthetic pigments, which allows for more light to pass through them, creating a paint that has a higher refraction-vibrancy. These paints have a connection with nature and the earth beneath our feet. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702813798075-ILPASAMADWW9W935ONR7/anima_mundi4.jpg ABOUT ART COLLECTIONS - ANIMA MUNDI (2019 – 2022) A collection which spotlights the intrinsic connection between all living things on the planet. This equitability of importance between all living organisms is underscored by challenging the usual hierarchy of foreground and background and giving equal significance in the compositions between figures, flora and fauna. The works are both allegorical and literal and simultaneously present a utopian and dystopian viewpoint. Self-portraits appear as ‘protector of the animals’ and environment, making up the majority of the canvas, but certain repeating themes are signifiers that in an otherwise halcyon landscape, all is not quite as it seems. The butterfly represents chaos theory and the idea that initial small changes may ultimately have profound effects, such as the extensive impact of climate change. Paint skins with printed text and photographic imagery showing graphic scenes of poaching are camouflaged into some paintings. The photographic images are difficult to pick out at first sight, but once noticed are hard to forget and have a multi-layered tactile aesthetic, presenting a surface optimism with a depth that concurrently speaks to much darker issues. Panels show camera phones detailing the impact of threats facing the natural world indicating indifference and detachment when viewed through a lens. These references to topical culture place the work directly in the present tense, yet the jungle paintings are simultaneously Rousseau inspired, reaching backwards into art history. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702814256406-CGM0MEJW3MAZY1HOIOBP/shrine_anthropocene2.jpg ABOUT ART COLLECTIONS - ANTHROPOCENE XTINCTION (2018) A collection of paintings highlighting the unnatural pressures inflicted on the natural world by humanity. Bringing together many elements of Holocene Twilight and True Value, the monochromatic panels highlight potential irreversible loss, and the crystal mosaic cross on the faces of the principal animals, at once highlights a sense of preciousness and jeopardy. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702813739760-8S3L9EG2L96SBOPSA7ZG/shrine_allegories1.jpg ABOUT ART COLLECTIONS - ALLEGORIES OF IDENTITY (2016 - 2017) A collection influenced by historical paintings and sculpture in a convergence of classical, modern and contemporary imagery. Taking strong female figures in mythology as a starting point and considering the animal world and contemporary fashion as a means of expression and identity, the compositions reflect and set the mood for the couture in the manner of a surrealist film set. The female subjects are a combination of statuary and world citizen, free of racially defining features. They simultaneously look to the past and present in referencing contemporary gender equality issues. Some of the works are influenced by the paintings of Gaugin and Rousseau but focus on the ‘female gaze’. The women who populate these paintings confront the viewer, challenging the subjectivity of the depictions of women in art history. The ocean painting in this collection is entitled The Physical Impossibility Of Captivity In The Mind Of Someone Free (2017), it features Andromeda breaking free from her chains juxtaposed with the electrical symbol of resistance. Both the encapsulated shark and the title make reference to Damien Hirst’s work, but the play on the title is also co-opted to allude to the crisis of worldwide migration and conflict. All of the compositional elements are underwater suggesting a climate change apocalypse in a world of opposites represented by water and electricity. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702814026584-AA3LGD4DTENIWB7MQHLI/shrine_holocene.jpg ABOUT ART COLLECTIONS - HOLOCENE TWILIGHT (2015 - 2016) A collection of monochromatic paintings which develop the theme of, and contrast with the previous crystal mosaic collection entitled True Value. Grisaille oil paintings represent fading memories and loss. Endangered species within urban settings become metaphors for displacement. The works highlight the inconvenient truth that through apathy, financial and political vested interests, world leaders seem unwilling to deal with the most difficult issues that face us. The monochromatic images recall black and white tv, old photographs and memories of things long gone. A selection of the works reference Guernica, thus representing a clarion call for war against poaching, climate change and habitat degradation. A reimagined version of Pietro Longhi’s Exhibition of a Rhinoceros at Venice is the first of this suite of paintings. In the second painting, the Lion of Saint Mark, the symbol of Venice, has turned on its axis to face away from the city in the same direction as the displaced lion viewed by stupefied onlookers. The Unknown commissioned by British actress and activist Virginia McKenna and sold to British actress and activist Joanna Lumley, is an allegorical painting which flips socio-political power disparities. It focuses on the little five, as opposed to the usual 'Big Five' who are now concealed in the Rousseau inspired background. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702813866844-BK4ZOGZEWZHM0CWNNXC8/shrine_truevalue.jpg ABOUT ART COLLECTIONS - TRUE VALUE (2013 - 2015) A collection of large-scale paintings which feature crystal mosaics depicting keystone species. Isolated in the picture plane, the creatures are elevated to the importance of human portraits, displaying an irreplaceability and an entwined destiny. Precious crystal mosaics are undercut by semi-abstract painted backgrounds and graffiti drawing attention to multiple threats in the ‘dead’ language of Latin that few understand. Creatures created from thousands of individual elements appear as abstract images on close scrutiny, and on viewing from a distance they represent the last of their species as the big picture emerges into focus. These distinctions of detailed decoration and minimalism are utilized as a metaphor for abundance and extinction. The handprints reference the birth of art in the earliest cave and rock paintings and the hand of man as a huge force for both good and ill. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1717348062532-QNLZYNLIU6YIIWDZUNYT/portraits.jpg ABOUT ART COLLECTIONS - REFLECTING THE IMAGE (2009 - 2011) A collection influenced by historical portraiture, popular throughout human history, created with a contemporary twist in the crystal mosaic portraits which form a major part of this collection. Mosaic is an ancient art which has a rich history dating back to the third century BC. From the Greeks, Romans and Byzantine mosaics, to the Art Nouveau movement, it is now enjoying a welcome renaissance in the 21st Century. The crystal mosaic portraits partially reflect the viewer, making observer and observed integral to the work, a commentary on the culture of celebrity and the age of the selfie. This allusion is further enhanced by the informality of the close-cropped compositions. The works present an abstract quality, as a series of pointillist dots when viewed up close, which emerge as a coherent image as the viewer steps back. The crystal mosaic portrait commissioned by Rihanna of Marilyn Monroe (5ft x 5ft), was created with 65,000 hand-applied Swarovski Elements. It represents the separate yet entwined identities of public and private personas. The artwork hides a secret painted portrait of Norma Jeane on the reverse, whilst the crystal Marilyn Monroe, her famous alter ego stares out at the world. In the same way, the hidden portrait largely remained unobserved in all of the press coverage which was generated by the commission. The portrait of the Queen was created in celebration of the Diamond Jubilee, with Swarovski Aurora Borealis special effects crystals. From certain angles a diamond effect is presented and from others a definitive red, white and blue appearance as the crystals change colour. Earlier artwork collections in handmade paper collage, mosaic, and crystal mosaic all represent an organic progression of processes of construction and deconstruction to both thematically and technically demonstrate appearance and disappearance. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702899708998-VMZEOE0WON8DUSBA6OET/image-asset.jpeg ABOUT ART COLLECTIONS - CLAIRE MILNER ART | SELECTED WORKS "Art doesn’t exist in a vacuum. Artists throughout history have chronicled the important issues of their time. The subjects I pursue are extremely personal to my identity and value systems as an environmentalist, yet they are also universal and reaching a critical tipping point for every individual regardless of ethnicity, gender, class or religion. Climate change, ocean pollution, environmental degradation, habitat loss and the current rapid rate of extinction are all issues that have devastating implications and they represent the biggest challenges we face. Without urgent action on these momentous issues, we may not have the luxury to concern ourselves with others." - CLAIRE MILNER https://www.claire-milner.co.uk/recent-news-1 daily 0.75 2026-03-31 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1774972068106-3M5VWA6SG9Z47JDL9UZ8/GardenersofEden.jpg RECENT NEWS - SOLO EXHIBITION. NOON POWELL FINE ART GARDENERS OF EDEN 17 SEPTEMBER - 4 OCTOBER 2026 Claire Milner is a British artist whose work addresses the urgent realities of climate change, habitat loss, and mass extinction. Based in North Yorkshire, she combines traditional painting techniques with contemporary processes, creating layered compositions that draw on art history while engaging with present-day environmental concerns. Using sustainably sourced natural earth pigments, her practice reflects a commitment to both material integrity and ecological responsibility. This ethos extends beyond the studio, with funds raised through her work supporting environmental and conservation organisations. Milner’s paintings operate at the intersection of abstraction and figuration, where imagery unfolds gradually through layered surfaces and symbolic references. Animals, ecosystems, and implied human presence form a visual language that explores the tension between abundance and disappearance. Her work invites a slower mode of looking, encouraging reflection on the interconnectedness of life and the consequences of human impact. Through this dialogue, Milner positions art as both a means of engagement and a catalyst for environmental awareness. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766486986979-328MRPYMWZ2MV2STFFGM/molas_child.jpg RECENT NEWS - MOLA'S CHILD BY ANN COTTON DECEMBER 2025 Milner was recently referenced in ‘Mola’s Child’, a deeply moving memoir by Ann Cotton, of one woman’s mission to transform lives through education in Africa. The book recounts the founding of CAMFED, an organisation that has enabled millions of girls to access education and break the cycle of poverty. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1774972068106-3M5VWA6SG9Z47JDL9UZ8/GardenersofEden.jpg RECENT NEWS - SOLO EXHIBITION. NOON POWELL FINE ART GARDENERS OF EDEN 17 SEPTEMBER - 4 OCTOBER 2026 Claire Milner is a British artist whose work addresses the urgent realities of climate change, habitat loss, and mass extinction. Based in North Yorkshire, she combines traditional painting techniques with contemporary processes, creating layered compositions that draw on art history while engaging with present-day environmental concerns. Using sustainably sourced natural earth pigments, her practice reflects a commitment to both material integrity and ecological responsibility. This ethos extends beyond the studio, with funds raised through her work supporting environmental and conservation organisations. Milner’s paintings operate at the intersection of abstraction and figuration, where imagery unfolds gradually through layered surfaces and symbolic references. Animals, ecosystems, and implied human presence form a visual language that explores the tension between abundance and disappearance. Her work invites a slower mode of looking, encouraging reflection on the interconnectedness of life and the consequences of human impact. Through this dialogue, Milner positions art as both a means of engagement and a catalyst for environmental awareness. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1774972436696-WKTHHK0S09SIH29LS8GB/molas_child.jpg RECENT NEWS - MOLA'S CHILD DECEMBER 2025 Claire Milner was recently featured in this deeply moving memoir by Ann Cotton. It tells the story of one woman’s mission to transform lives through education, recounting the founding of CAMFED an organisation that has enabled millions of girls to access education and break the cycle of poverty. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1766487585870-ZECOWZMIYE666FOOE97Z/rewilding_noon_powell.jpg RECENT NEWS - NOON POWELL FINE ART, AUTUMN EXHIBITION, LONDON 23 OCTOBER - 30 NOVEMBER 2025, LONDON A selection of works by Claire Milner are exhibited at Noon Powell Fine Art, including her latest painting ‘Rewilding’. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1746631263351-34S3IBB2FEZNPO787QLW/GCC+Active+Member+Verification+Badge+2024+AI_Logo+large_black.png RECENT NEWS - GALLERY CLIMATE COALITION ACTIVE MEMBERSHIP MAY 2025 In 2025 Claire Milner has once again achieved Active Membership of the Gallery Climate Coalition for the third consecutive year since its initiation. In 2023 Milner was selected as one of fewer than ten artists worldwide for the inaugural Active Membership, and in 2024 she again achieved Active status, along with several blue chip galleries, institutions and museums from GCC’s global member base who demonstrated that their organisation has implemented environmental sustainability best practice. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1741091889507-ROPXWWMNN3G7Y65AJHY7/window.jpg RECENT NEWS - NOON POWELL FINE ART INAUGURAL EXHIBITION, LONDON OPEN MARCH 2025 RICHMOND, LONDON A selection of works by Claire Milner are available via Noon Powell Fine Art, including her latest painting ‘The Archaeoceti: A Fifty Million Year Old Smile’ which is displayed in the window. Preview Evening: 3 April 2025 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1730385164729-GASYJHY3T40611UV366T/oxo+tower+wharf.jpg RECENT NEWS - EXPLORERS AGAINST EXTINCTION: OXO TOWER GALLERY, LONDON 31 OCTOBER - 17 NOVEMBER 2024. This unique event, curated by Explorers Against Extinction, brings together three powerful collections under one roof: Extinction – a collection of artworks highlighting climate change through time, including works featuring fossils, artefacts, and materials from Happisburgh in Norfolk, the home of Explorers Against Extinction. Contributing artists include Richard Deacon, Emily Young, Sebastiao Salgado, Richard Mosse, Andy Goldsworthy, Conrad Shawcross and many more. On the Brink - a special invitational collection of studio artworks by leading international artists, focusing on wildlife and ecosystems under threat. Sketch for Survival – the Sketch for Survival collection includes 100 artworks from professional and amateur artists alike, generously donated to support our conservation projects. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1729167592619-KQOJ8B8ZEEFPQM5B68TJ/Dundas_street_gallery.jpg RECENT NEWS - EXPLORERS AGAINST EXTINCTION: ON THE BRINK EXHIBITION, EDINBURGH OCTOBER - NOVEMBER 2024 On the Brink and Sketch for Survival exhibition at Dundas Street Gallery, Edinburgh from Thursday 17 to Saturday 19 October 2024. An inspiring collection of artworks dedicated to raising awareness about species extinction and conservation. The Dundas Street gallery sits immediately below The Fine Art Society which will simultaneously feature an evocative blend of photography and sculpture by some of the most distinguished artists in the world, including Richard Deacon, Emily Young, David Nash, Peter Randall-Page, Jon Foreman, Eleanor Lakelin, Julian Stair, Conrad Shawcross, Sebastião Salgado, Richard Mosse, Beverly Joubert, Michael Kenna, Daniel Beltra, Andy Goldsworthy, Michael Pinsky, and Bigert & Bergström. This compelling exhibition underscores the devastating consequences of climate change, including species extinction and habitat loss over time. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1730386845716-3ZTJV6WZAZVQYQXUE7RG/Screenshot+2024-10-31+at+14.47.14.png RECENT NEWS - WOMEN IN ART FAIR, MALL GALLERIES, LONDON OCTOBER 2024 Milner exhibited in Women in Art Fair at the Mall Galleries with Noon Powell Fine Art. WOMEN IN ART FAIR RETURNS WITH A CHALLENGING PROGRAMME FOR LONDON FRIEZE WEEK “We believe that radical innovation is the only way to disrupt the current broken art world model”. Women in Art Fair returns to the Mall Galleries this year to provide a prominent platform for women artists, gallerists, and curators during Frieze, London’s biggest annual arts week. “This is not about excluding men,” says fair founder Jacqueline Harvey, “It’s about disrupting the established model which isn’t serving us, as it’s failing half of the artistic community: women.” https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1712500471008-9JDO2G8SF7GU9VTCPXTE/GCC+Active+Member+Verification+mark-11_Logo+large+2023.png RECENT NEWS - GALLERY CLIMATE COALITION ACTIVE MEMBER APRIL 2024 Claire Milner has successfully qualified as a 2023 Active Member with @galleryclimatecoalition. To achieve Active status she demonstrated her implementation of environmental sustainability best practice in line with GCC guidance. "Active Membership is not a certification of sustainability nor a claim that I am doing things perfectly or have all the answers - none of us are at this point. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go." Visit the @galleryclimatecoalition page or website to learn more about the initiative and how to get involved. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702820033379-ZF2LQGUBAZTGJ4Y3LI36/image-asset.jpeg RECENT NEWS - COLLABORATION WITH CHARITY: WATER AND THE OTHER ART FAIR OCTOBER 2023 Water is recognised as a basic human right, yet millions of people still lack clean drinking water access. charity: water is a nonprofit organisation bringing clean and safe water to people around the world in line with the United Nations Sustainable Development Goal (SDG) 6: water and sanitation for all by 2030. So far they have funded over 130,000 water projects in 29 countries around the world with the help of local partners. Claire Milner was one of a handful of artists selected to collaborate with charity:water in partnership with The Other Art Fair. Her painting ‘The Source’ sold in October 2023 raising thousands towards clean water. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702820217059-OVDWC3GN8PN3IHUFTKV2/summer_exhibition1.jpg RECENT NEWS - NOONPOWELL FINE ART EXHIBITION AUGUST - SEPTEMBER 2023 Purchase a selection of works by Claire Milner via NoonPowell Fine Art https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702820443706-78TEPHPURZN24OM5EH7S/create1.jpg RECENT NEWS - ‘ALCHEMY’ CURATED BY CREATE! MAGAZINE ‘The Disappeared’ and ‘Everything Is Connected’ have been selected for an exhibition entitled ‘Alchemy’ along with an additional seven paintings from the ‘Gardeners of Eden’ and ‘Anima Mundi’ collections which are featured in Create! Magazine. Curators: Charuka Arora, Victoria J. Fry, and Mona Lerch https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702820639285-V223UP7RZY42F56DKJJ6/Hampstead1.jpg RECENT NEWS - HAMPSTEAD ART FAIR 'The Sixth' from the Gardeners of Eden collection was selected by the organisers for a specially curated wall at the Hampstead Art Fair exploring the power of words. The curated displays celebrated all aspects of the written word in art. A selection of Milner's works from the Anima Mundi collection were also on display with Noon Powell Fine Art. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702822219410-F8Z7EN07YD93OAO83U5O/born_free_foundation.jpg RECENT NEWS - BORN FREE FOUNDATION ‘The Unknown’ was commissioned by Virginia McKenna and auctioned in aid of The Born Free Collection. The winning bidder was Joanna Lumley. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702823067187-E3MG2GMG87B1RU6UX41P/savoy.jpg RECENT NEWS - AUCTION OF ‘BURNING BRIGHT’ IN AID OF SAVE WILD TIGERS Curated by Christian Furr, the youngest artist to have ever been officially commissioned to paint the Queen in 1995, the exhibition in Hotel Cafe Royal followed by an auction at The Savoy Hotel featured an exciting array of tiger inspired artworks by high profile international artists including: Dan Baldwin, Jacky Tsai, Daisuke Sakaguchi, Shauna Richardson, Pandemonia, Lauren Baker, Rose Corcoran, Otto Schade, John Gledhill, Julia Wager, Misha Masek and the late Chris Bracey. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702822318099-CL68D707UE5XA5XYTB1E/logo.jpg RECENT NEWS - ‘THE ALCHEMIST’ SELECTED BY THE ORGANISERS TO BE EXHIBITED IN THE BLUE ZONE AT COP26 ‘The Alchemist’ from the collection entitled ‘Anima Mundi’ was selected by the conference organisers to be exhibited on the world’s biggest stage in the Blue Zone of the SEC in Glasgow for the COP26 conference. The work was displayed with Explorers Against Extinction art exhibit which was chosen as one of only fifteen exhibits out of thousands of initial applicants to be presented to the delegates. The Blue Zone was for those registered with the UN and tasked with coordinating the global response to the threat of climate change – the United Nations Framework Convention on Climate Change (UNFCCC). The Blue Zone hosted national delegations, United Nations and related organisations & agencies, the media and not-for-profit observer organisations. Delegates met in the Blue Zone for both formal negotiations and informal consultations. The UNFCCC also hosted a range of events, including technical briefings, to support the negotiations process. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1705234620910-370QUES7NHA1BH5RCJGU/marilyn2.jpg RECENT NEWS - COMMISSION OF MARILYN PORTRAIT FOR RIHANNA “This portrait by the artist Claire Milner is at home in New York... I find fascinating the shadows, the nuances, and the emotions that she manages to express thanks to subtle games of colored crystals. I am in love with this work. And I am in love with Marilyn. What is more moving than these candid eyes?” — RIHANNA (TRANSLATED FROM VOGUE PARIS) “It’s all about the detail for Claire Milner, the stellar British talent behind the portrait of Marilyn Monroe. Claire’s philosophical approach is revealed in the surprising hidden portrait painted on the reverse that represents the young Norma Jeane - a commentary on the life of a celebrity. Her richly diverse sources of inspiration include ancient art, popular culture and Shakespeare. This is reflected in a dynamic adaptability, from a mosaic depicting under-sea volcanoes to iconic portraiture.” — SWAROVSKI https://www.claire-milner.co.uk/marilyn-portrait-gallery daily 0.75 2023-12-19 https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702997849041-3EYV9PGYWP9GPLEA8R80/image-asset.jpeg MARILYN PORTRAIT GALLERY - WORK IN PROGRESS Work begins on the Marilyn Monroe portrait commissioned by Rihanna. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702997849041-3EYV9PGYWP9GPLEA8R80/image-asset.jpeg MARILYN PORTRAIT GALLERY - WORK IN PROGRESS Work begins on the Marilyn Monroe portrait commissioned by Rihanna. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702997917295-ES0R8BZJ3WPR1B9O9RBD/working8.JPG MARILYN PORTRAIT GALLERY - FINISHING TOUCHES Working on the Marilyn Monroe portrait commissioned by Rihanna https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702997990552-I6Q36D8A7WEON8DE3DN2/Marilyn%26me.jpg MARILYN PORTRAIT GALLERY - Marilyn & me Swarovski Marilyn Monroe portrait commissioned by Rihanna https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702998172705-DCR3UMFGY612DSB8FKCG/6_Marilyn+%26+me_1a.jpg MARILYN PORTRAIT GALLERY - 6_Marilyn & me_1a.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702998200720-H0WO53JGA6D5VKEEEUM6/8_Marilyn+%26+me_1d.jpg MARILYN PORTRAIT GALLERY - 8_Marilyn & me_1d.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702998205550-QO2WK9LAQHT65RROE209/8_Marilyn+%26+me_1c.jpg MARILYN PORTRAIT GALLERY - 8_Marilyn & me_1c.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702998215546-22VS7FFHMGD3DSQ7J9XL/10_Marilyn_1b.jpg MARILYN PORTRAIT GALLERY - THE LAST DAY IN THE STUDIO The portrait is about to embark on its journey to Rihanna’s home in the U.S. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702998256410-QU7IJ2470GROA7GLX293/GC4.jpg MARILYN PORTRAIT GALLERY - DETAILS, DETAILS 65,000 Swarovski Crystals! https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702998286956-MDZ47X1XNRWM2H4YU0QN/GC6.jpg MARILYN PORTRAIT GALLERY - LIKE A HOLOGRAM https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999307149-YHCRC7J3K90GU9KFOJ6I/1New.jpg MARILYN PORTRAIT GALLERY - PRESS PHOTOS There were many requests for interviews and photos from publications worldwide. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999621025-N4SZPYKWVISLBRU6I5YF/P1040090.JPG MARILYN PORTRAIT GALLERY - P1040090.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999626548-XSZQAM4I1DDR3BFVCR3R/P1040105.JPG MARILYN PORTRAIT GALLERY - P1040105.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999627859-RSWRRIDLINUYHUNX9AK6/P1040106.JPG MARILYN PORTRAIT GALLERY - P1040106.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999632202-T29OL7BR878O42RHLZPR/P1040108.JPG MARILYN PORTRAIT GALLERY - P1040108.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999633238-B3IZQ3537H62WGTWI7KI/P1040113.JPG MARILYN PORTRAIT GALLERY - P1040113.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999637630-G6X72NU2ACDRSZ8J4XER/P1040114.JPG MARILYN PORTRAIT GALLERY - MARILYN AND ME https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999638422-1NZ4ABDKATP19VXSSF75/P1040119.JPG MARILYN PORTRAIT GALLERY - P1040119.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999642637-CJMBIOY22Y2EYBFWJ54C/P1040302.JPG MARILYN PORTRAIT GALLERY - P1040302.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999643593-57FSRR1ANJ6Y1YACOJNT/P1040305.JPG MARILYN PORTRAIT GALLERY - P1040305.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999648688-8VA9ZKQRD96J10WX71Y5/P1040306.JPG MARILYN PORTRAIT GALLERY - P1040306.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999648052-JCODTMW8U04EKDHXZPWC/P1040309.JPG MARILYN PORTRAIT GALLERY - P1040309.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999652618-XEMMJR4HIMRCM5C57U7R/P1040325.JPG MARILYN PORTRAIT GALLERY - P1040325.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999653702-3MJJMGC0KU1GMF2GHCI8/P1040329.JPG MARILYN PORTRAIT GALLERY - P1040329.JPG https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999657714-S5XPQATQ1EG8BZXP6SM2/P1040333.JPG MARILYN PORTRAIT GALLERY - LARGER THAN LIFE After months of work and a dislocated shoulder, it was time to say goodbye. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999669907-VQ61H4E151BZKPSAFP0I/Untitled-2.jpg MARILYN PORTRAIT GALLERY - Untitled-2.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1702999669232-9GAL4FRLY93JYLNJGEJY/Untitled-3.jpg MARILYN PORTRAIT GALLERY - Untitled-3.jpg https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1703001025656-ZC6QX2EMENBZVRFT1XVL/marilyn_me_sq.jpg MARILYN PORTRAIT GALLERY - LONDON PREVIEW The portrait of Marilyn travelled from North Yorkshire to the London preview and then on to the U.S.A. https://images.squarespace-cdn.com/content/v1/568bc7bfa976afe4609be619/1703001114505-VWBQJY8WAQDLZXMVHB4U/Marilyn%26Rihanna1.jpg MARILYN PORTRAIT GALLERY - RIHANNA AND MARILYN "Rihanna's mansion clearly shows off her distinct taste in art.. there's no missing the Swarovski-studded portrait of Marilyn Monroe by artist Claire Milner. 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