CLAIRE MILNER ART
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CLAIRE MILNER ART

‘HOLOCENE TWILIGHT’ concurrently develops the theme of, and contrasts with the colourful crystal mosaic predecessors belonging to the collection entitled 'True Value'. Here, monochromatic oil paintings represent fading memories and loss. A reimagined version of Pietro Longhi’s ‘Exhibition of a Rhinoceros at Venice’ is a starting point for a series of endangered species within urban settings, metaphors for human and animal displacement. Further paintings in this collection reference Guernica, the most famous war painting in art history, thus representing a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970. 'The Unknown' in the private collection of a British actress and activist, is an allegorical painting about socio-political power disparities. It focuses on the little five: leopard tortoise, elephant shrew, rhino beetle, buffalo weaver and ant lion, as opposed to the usual 'Big Five' who are concealed in the Rousseau inspired background. 

'CONTEMPLATING CLARA: EXHIBITION OF A RHINOCEROS AT VENICE'
'CONTEMPLATING CLARA: EXHIBITION OF A RHINOCEROS AT VENICE'

'CONTEMPLATING CLARA: EXHIBITION OF A RHINOCEROS AT VENICE'

(After Longhi). Acrylic & oil paint on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016

Featured in Art Upon.

Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' records a historical event, the exhibition in Europe for the carnival of 1751 of a rhinoceros called Clara who had been brought to Europe ten years previously.

This reimagined version forms part of a new collection of incongruous images of animals out of place as an allegorical reference to the damaging effects of humans on other species through commodification, poaching, habitat loss and climate change.

'EXHIBITION OF A LION AT VENICE'

'EXHIBITION OF A LION AT VENICE'

(After Longhi). Oil on canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016

Featured in Art Upon and Ethical Hedonist.

Using Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' as a starting point, this painting is part of a collection of monochromatic oil paintings which represent fading memories of things lost forever. Endangered species within urban settings serve as allegorical references for human as well as animal displacement. The Lion of Saint Mark, representing the evangelist St Mark, pictured in the form of a winged lion holding a Bible, and the symbol of the city of Venice, has turned on its axis to face away from the city in the same direction as the displaced lion viewed by stupefied onlookers.

'THE UNDENIABLE TRUTH'

'THE UNDENIABLE TRUTH'

Oil on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016

Featured in Art Upon.

Using Pietro Longhi's 'Exhibition of a Rhinoceros at Venice' as a starting point, this collection of incongruous images of animals displaced to urban environments alludes to the damaging effects of humans on other species through commodification, poaching, habitat loss and climate change. The monochromatic images reference memories of things past. Another endangered species, this time an elephant, is displaced to Piazza Minerva (The Roman symbol of wisdom), where the passers by take no account of its presence.

'WIPE OUT AND FADE AWAY: AND THEN THERE WERE NONE..'

'WIPE OUT AND FADE AWAY: AND THEN THERE WERE NONE..'

Oil paint on box canvas. 23.5 x 35.5 inches (60cm x 90cm)

Featured in Ethical Hedonist and Widewalls.

This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970.

'WIPE OUT AND FADE AWAY: SPOTLIGHT ON EXTINCTION' (PRIVATE COLLECTION, GERMANY).

'WIPE OUT AND FADE AWAY: SPOTLIGHT ON EXTINCTION' (PRIVATE COLLECTION, GERMANY).

Oil paint on box canvas. 23.5 x 35.5 inches (60cm x 90cm)

Featured in Ethical Hedonist Magazine

This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970.

'WIPE OUT AND FADE AWAY: UPROAR!'

'WIPE OUT AND FADE AWAY: UPROAR!'

Oil paint on box canvas. 20 x 30 inches (51cm x 76cm)

This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970.

'WIPE OUT AND FADE AWAY: MELTING FROM APATHY'

'WIPE OUT AND FADE AWAY: MELTING FROM APATHY'

Oil paint on box canvas. 35.5 x 35.5 inches (90cm x 90cm)

Featured in Oceanic Global and Investable Oceans.

This artwork is part of the second collection of endangered animals, entitled "Wipe Out And Fade Away". In contrast to their brightly coloured crystal mosaic predecessors, all of the works in this collection are monochromatic or grisaille to represent fading memories and reference Guernica, arguably the most famous war painting in art history. The works represent a call to action against climate change and for war against poaching and habitat loss and as a wake up call that wildlife populations worldwide have declined by 52% since 1970.

'JEOPARDY'

'JEOPARDY'

(After Tamara De Lempicka) Acrylic & oil paint on box canvas. 39.5 x 39.5 inches (100cm x 100cm) 2016

Featured in WideWalls.

Allegorical painting about mans dominance as a top predator and the destruction of the natural world. A cautionary tale that mankind will be the net loser as ecosystems break down due to climate change, habitat loss and extinction resulting in predator becoming prey.

'THE UNKNOWN' (COMMISSIONED BY VIRGINIA MCKENNA. COLLECTION OF JOANNA LUMLEY).

'THE UNKNOWN' (COMMISSIONED BY VIRGINIA MCKENNA. COLLECTION OF JOANNA LUMLEY).

Swarovski crystals, rhinestones, acrylic & oil paint on box canvas. 51 x 51 inches (130cm x 130cm) 2015 Private Collection. U.K.

Exhibited at The Royal Horticultural Halls, London. Featured in Ethical Hedonist, Yorkshire Living and The Flux Review.

“The Unknown” is an allegorical painting about power disparities. It focuses on the “Little Five”: Leopard Tortoise, Elephant Shrew, Rhino Beetle, Buffalo Weaver and Ant Lion, as opposed to the usual “Big Five” who, this time, are hidden in the Rousseau inspired background.

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'CONTEMPLATING CLARA: EXHIBITION OF A RHINOCEROS AT VENICE'
'EXHIBITION OF A LION AT VENICE'
'THE UNDENIABLE TRUTH'
'WIPE OUT AND FADE AWAY: AND THEN THERE WERE NONE..'
'WIPE OUT AND FADE AWAY: SPOTLIGHT ON EXTINCTION' (PRIVATE COLLECTION, GERMANY).
'WIPE OUT AND FADE AWAY: UPROAR!'
'WIPE OUT AND FADE AWAY: MELTING FROM APATHY'
'JEOPARDY'
'THE UNKNOWN' (COMMISSIONED BY VIRGINIA MCKENNA. COLLECTION OF JOANNA LUMLEY).